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[…]Sokal accuses the humanists and social scientists who populate the burgeoning field of science studies – scholars who tend to be critical of contemporary technoscience and its effects – of ignorance masked by the jargon of fashionable theories. He claims that this ignorance allowed his original article, filled with obviously erroneous scientific claims, to be passed unchecked into the pages of Social Text. Stung by his criticisms, the editors of Social Text, Bruce Robbins and Andrew Ross, responded swiftly with a broadside questioning Sokal’s change of heart, his ethics, and his understanding of his target. One gets a certain illicit […]
[…]Fish finding it easier to say why the proffered solutions – e.g., new historicism, cultural studies, interdisciplinary studies, and so on – are not the answer. Here, his most forceful rebuttals are offered in lectures three, “Disciplinary Tasks and Political Intentions,” and four, “Looking Elsewhere: Cultural Studies and Interdisciplinarity.” In the first of these, Fish stresses the need to “distinguish between the general (and trivial) sense in which everything is political – the sense in which every action is ultimately rooted in a contestable point of origin – and the more usual sense of ‘political’ when the word is used […]
[…]agents for generative hypermedia and interactive editing, and Jean Pierre Balpe, a poet and editor working on generative fiction, who missed the panel itself but made the conference later – and one researcher from the MIT media labs, Kevin Brooks, working on the automatic generation of filmed storytelling. On the same panel, I spoke of writing as programming, where the process of writing itself (which may include the readers’ interactions) may be seen as a ‘prior writing,’ as inscription prior to performance (in codexspace or cyberspace or anyspace). An emergent theme of the panel was the convergence of ‘engineered and […]
[…]written book as a reference and a starting point for undertaking some of the more particular case studies I mention above. Ah, but who will these “other scholars” be? Philosophers? Specialists in the computer sciences? Renegade literary critics? Students trained in newly formed media studies departments? In a slightly different context, Coyne writes: [I]n spite of the deeper understanding promoted by Heidegger that to think is to contemplate things without asking why, without looking for causes, and that we are not in control of technology, the rhetoric of our disciplines indicates an unashamed concern with intervention. It may be a […]
[…]project them in inadmissible ways. Representatives of the political system always tie the power code to the moral code and stylize themselves as representatives of the common interest. In aesthetic discourse, it is a favorite rhetorical strategy to promote oneself as the mouthpiece of authentic experiences which are then generalized across systems.” Indeed, Bérubé would seem to admit as much – and thereby recognize the fact of functional differentiation – when he quite rightly observes that “The 104th Congress is going about the business of dismantling social programs despite the fact that one radical conservative claims natural, biological sanction for […]
[…]is the bella figura, “the attention to form of presentation governing social situations and the code that expresses an individual’s public utterance and social script.” Bella figura “governs oral communication and shapes its social pragmatics while providing its theatre” and, coincidentally, looks a lot like what elite critics might call professionalism. Most important is the maintenance of an impeccable coolness in the eyes of others, “especially in public appearances where indirectness and forms rule over frank exchange. For a Corleone to become impetuous, imprudent, impatient, to ‘not get the message,’ is to place the family at considerable risk and its […]
[…]Trade Center as figures for the dominance of a binarism that includes digital culture, the genetic code, and the duopoly of liberal capitalist states. Developing this analysis, Baudrillard, in “Requiem for the Twin Towers,” suggests that the towers suffered two attacks and two deaths that constitute a critical extension of such binary logic: the effect of the attacks is to suggest the possibility of the overthrow of the power embodied in the towers. As well as physical destruction, Baudrillard states that the towers endured a symbolic collapse that was due to their inability to sustain the image of contemporary capitalist […]
[…]of older textual forms is a misplaced gesture, symptomatic of the general extent to which textual studies and digital studies have failed to communicate. If we acknowledge that printed texts do not “stay themselves,” we should also ask what it means for electronic texts to “replace themselves.” The critical discourse surrounding digital technologies – often taking its cues from post-structuralism – has embraced their putative ephemerality, as if we must surrender ourselves to the eventual loss of our most precious data in order to realize the medium to its full potential. I want to suggest that there is a kind […]
[…]search by job title, search by location, search by a menu of political issues, even your own zip code, and find the right official to e-mail your suggestion or grievance. As an afterthought, we decided to add interactive petitions, a suggestion of our 19-year-old Russian programmer. (Max was an Ayn Rand fan: his version contained one Darwinian feature we later dropped: the Bad Idea Pile, a section of the site where all the weak petitions that couldn’t get signatures would go to die of ridicule.) When we started, I thought the job was relatively simple and would take Max a […]
[…]treatment of Lexia to Perplexia is at its most rewarding when she deals with the computer-code-laden Creole discourse, the way the computer code “shines through” the English language, like “cell…f (and cell.f), homophones for self that conflate identity with a pixilated cell and the notation for a mathematical function.” It is, however, not quite as convincing when Hayles concludes that Lexia to Perplexia tells “new stories about how texts and bodies entwine.” Her skillful interpretation of the linguistic and intertextual aspects of the work seems to fight against her own conclusion: even a work like Lexia to Perplexia still mainly […]