Search results for "critical code studies working group"
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[…]that are the foundation of computational expression’ in their forthcoming series on Platform Studies. See link below. or a critical reflection on how one studies games through practice. Instead, this implementation of CTP reflects on some of the meta-communication challenges designer-academics face: how their insights are communicated and interpreted. These ruminations begin with a consideration of these issues in McGonigal’s essay, and then progress with general and at times personal reflections on the topic. Perception & Application All research is in some way an articulation of the world view of the researcher, but when we witness an articulation of a […]
[…]studio: 24.00 Dinner and taxis would have been for six, but I passed on the food and let the group go on without me to the Zhou brothers’ loft on the South Side. Daniel’s invitation said, Black Tie “optional,” but the Wicker Park group were received kindly in their jeans and work shirts. Zhou bros. were happy to have “real people” show up. Nothing here of the art world politics in a Woody Allen movie. The curators know their work; the artists know their own worth. Politics, though present, is neither paranoid nor pushy. Fortunately for Daniel, his new friend […]
[…]new form of behavior. Bogost even uses the idea of unit operations to try to address how game studies should be positioned in academic disciplines, agitating for interaction between the study of videogames and the study of other creative disciplines. This attempt to situate game studies among the humanities is in reaction to those schools of videogame study which are functionalist (thus preoccupied chiefly with the way games work rather than with their expressive potential) and exclusive. While Bogost may have a point here, trying to tell academic departments how to organize themselves is a little like showing cats a […]
[…]And thinkers from Lawrence Lessig to William Mitchell have emphasized the authoritative role of code and coders in cyberspace, paving the way for a new form of elitism. There are others, hackers and gamers among them, who cultivate elitist enclaves that are exclusive to network culture. The same network culture has given rise to its own supra-national language: “Leetspeak” or “Leet.” Arguably more cipher or code than language, Leetspeak uses combinations of the ASCII character set in place of letters, and the substitution bears a visual resemblance; LEET, for example, is rendered as “1337,” and the language goes by this […]
[…]effectivity can be a trap, particularly if scholars imagine self-reflexivity, understood as a critical distance toward one’s subject position and critical judgments, to be a mode of political resistance. Literature inevitably falls short when it’s evaluated primarily as political discourse, and critics waste energy on moralistic hand wringing when they assess fictional texts by the same representational criteria as they would a piece of investigative reporting, an op-ed essay, or a piece of legislation. Fictions, by definition, don’t refer to self-same world in which readers actually exist. They project virtual worlds, materialized in words, which readers actualize through acts of […]
[…]no mention of more contemporary elit pieces. That “net art” became the name of choice for some working in the area of web-based elit should come as no surprise under these circumstances since the term “literature” in the name of elit may have limited its inclusion in media art festivals, exhibitions, and art scholarship. So, the irony is that the electronic aspect of elit creates suspicion for traditional English departments just as the notion of literature does not fit well for the visual or media arts. Despite this unsettled position in academe, thousands of elit works are collected by such […]
[…]what Eleni is,” POff 169) into providing courier services to what appears to be an ecoterrorist group he suspects plans to blow up the Parthenon. Having barely extricated himself from direct complicity with the group and its shady representative, he now carries a bundle of cash so large that it would get him arrested while trying to cross the border. Considering that Eleni has information she has threatened to make public – information that would expose a lie about his ancestry he and his agent have fabricated in order to gain eligibility to play pro-ball in Greece – his slipping […]
[…]Carey, Communication as Culture 13-36. —. “Communications and the Progressives.” Critical Studies in Mass Communication 6 (1989): 264-82. —. “Configurations of Culture, History, and Politics: James Carey in Conversation with Lawrence Grossberg, part 2.” Packer and Robinson: 199-225. —. Introduction. Carey, Communication as Culture 1-12. —. “Marshall McLuhan: Genealogy and Legacy.” Canadian Journal of Communication 23 (1998): 293-306. —. “Political Correctness and Cultural Studies.” James Carey: A Critical Reader. Ed. Catherine Warren and Eve Stryker Munson. Minneapolis: U of Minnesota P, 1997. 270-91. — . “Reconceiving ‘Mass’ and ‘Media’.” 1982. Carey, Communication as Culture 69-88. —. “Space, Time, and Communications.” […]
[…]in words and images, of key concepts in “resilience thinking,” together with case studies and an extensive bibliography. The site is sponsored by the Resilience Alliance, “a multidisciplinary research group that explores the dynamics of complex systems.” Stengers, Isabelle. “The Cosmopolitical Proposal.” Making Things Public: Atmospheres of Democracy. Ed. Bruno Latour and Peter Weibel. Cambridge: MIT Press, 2005. 994-1003. A key essay for establishing Stengers’ use of the term “cosmopolitics.” Most of her important work on this topic remains to be translated into English. Thoreau, Henry David. Walden, “Civil Disobedience,” and Other Writings. Ed. William Rossi. New York: Norton, 2008. […]
[…]on writing in electronic media. No doubt, rebranding such as the turn to Web 2 or Critical Code Studies provide added descriptive precision to the discourse. I am not making the banal point of questioning the value of these approaches, nor the value of what I call the literary critical discourse on electronic literature. Rather, I say our question should be, instead of the existence or essence or thing of electronic literature, I say we should ask: What is electronic literature after? By this I mean at least two things. Firstly, what does it desire? What do we want with […]