In this review of Timothy Morton's Hyperobjects, Robert Seguin contemplates the implication of the text's eponymous subject on art, philosophy, and politics. The "hyperobject," a hypothetical agglomeration of networked interactions with the potential to produce inescapable shifts in the very conditions of existence, emerges as the key consideration for the being in the present.
In one half of a pair of critical reviews looking at recent titles in animal studies, Karl Steel examines Nicole Shukin's Animal Capital (Shukin reviews Steel in the other half). In particular, Steel looks at Shukin's biopolitical framework, and considers how that framework challenges not only our conception of what constitutes the animal, but also--and more to the bone--our conception of the capacity of fields like animal studies.
Michael Bérubé responds to the respondents in Selling Out (Spring 1996).
Excerpted from Water Writing - an essay; presented as part of the ebr Critical Ecologies thread; concurrent with a literary Festschrift in honor of Joseph McElroy's lifework.
Kiki Benzon on narrative ecology and the "fradulence paradox" of Oblivion.
Tim Keane reviews David Matlin's Prisons: Inside the New America.
Rob Swigart's "Seeking" is a clever and funny story whose roots lie in the materialization of internet interdating connections. Moving through the technological and media reductions of desire, Swigart parallels the overarching theme of "seeking" with a form that is itself punctuated with questions.
Lance Newman suggests Ecocriticism shares a problematic assumption with "green" capitalism: the idea "a livable future will result from billions of individual ethical decisions." Here he traces a burgeoning critical alternative that investigates the historical connections between global capital and the shifting structures of the "ecosocial."