In this review of Timothy Morton's Hyperobjects, Robert Seguin contemplates the implication of the text's eponymous subject on art, philosophy, and politics. The "hyperobject," a hypothetical agglomeration of networked interactions with the potential to produce inescapable shifts in the very conditions of existence, emerges as the key consideration for the being in the present.
In one half of a pair of critical reviews looking at recent titles in animal studies, Karl Steel examines Nicole Shukin's Animal Capital (Shukin reviews Steel in the other half). In particular, Steel looks at Shukin's biopolitical framework, and considers how that framework challenges not only our conception of what constitutes the animal, but also--and more to the bone--our conception of the capacity of fields like animal studies.
Lance Newman suggests Ecocriticism shares a problematic assumption with "green" capitalism: the idea "a livable future will result from billions of individual ethical decisions." Here he traces a burgeoning critical alternative that investigates the historical connections between global capital and the shifting structures of the "ecosocial."
Cary Wolfe reviews Luc Ferry's The New Ecological Order.
Further on Gertrude Stein, Carole Maso, and the avant garde in U.S. fiction from Lidia Yuknavitch.
Sven Philipp on Cosmopolis and what seems to be a new stage in the critical reception of DeLillo.
In between bubble and burst, e-commerce drew much of its content from donated labor. Tiziana Terranova questions just how "free" such labor has proved in practice.
Steve Shaviro reviews Tomorrow Now by Bruce Sterling, a book that (for an eminent cyberpunk novelist) is perhaps too sane and sensible.