Salvatore Proietti straddles science and fiction to offer an interpretation of a McElroy Cyborg.
How does one write science fiction when the atom bomb (and later 9/11) makes the future seem impossible to predict? Justin Roby reviews Paul Youngquist's Cyberfiction: After the Future, which explores how postwar "cy-fi" critiqued life in the age of cybernetic control systems.
Bruce Clarke reviews the new translation of Grammophone, Film, Typewriter, a requiem and good-riddance for the era of so-called Man.
Linda Brigham reads How We Became Posthuman the way Katherine Hayles reads novels: as a story that resists both linearity and the analytical ardor of attempts at humanist ordering.