embodiment

Michael Wutz writes of how, in Raymond Federman's My Body in Nine Parts, body parts are represented as having registered, inscribed, contributed to Federman's life.

Eugene Thacker sees ethical acting as a potential stumbling block, one that trips up technological complicity.

Simon Penny recalls that the origins of the human-computer interface, politicized by a military heritage, are now explored by artist-enigineers who chaperone fragmentation and dissent.