• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to secondary sidebar
  • Skip to footer

electronic book review

  • about ebr
  • policies and submissions
  • subscribe
  • Essays
  • Gatherings
  • newsletter
  • login

digital futures of literature, theory, criticism, and the arts

engineering

Electronic Books?

Primary Sidebar

other essays by
Stuart Moulthrop
Pax, Writing, and Change
Being the Asterisk: Noah Wardrip-Fruin and the Future of Game Studies
Electronic Books?
Erroneous Assumptions: Steve Tomasula’s Ascension
For Thee: A Response to Alice Bell
other essays in
Joyce, Moulthrop, Jackson
Joel Felix posts a response
by Joel Felix
Cyber|literature and Multicourses: Rescuing Electronic Literature from Infanticide
by N. Katherine Hayles
The Pleasure (and Pain) of Link Poetics
by Scott Rettberg
PMC editor Stuart Moulthrop responds
by Stuart Moulthrop
rock pile image
The Contour of a Contour
by David Ciccoricco
electropoetics:
Other Essays in
No items found
On an Unhuman Earth
Do Androids Dream of Electric Mothers?
Suspended Poetics: Echoes of The Seven Odes in Arabic E-Literature
by Babak Elahi
from the archive
Off Center Episode 7: Computational Narrative Systems and Platform Studies with Nick Montfort
by Nick Montfort and Scott Rettberg

Secondary Sidebar

ebr is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

  • subscribe to ebr
  • machine-writing
  • fictions present
  • first person
  • technocapitalism
  • writing (post)feminism
  • electropoetics
  • internet nation
  • critical ecologies
  • webarts
  • end construction
  • image + narrative
  • music/sound/noise
  • writing under constraint
  • Email
  • Facebook
  • Twitter

Footer

  • Email
  • Facebook
  • Twitter

Electronic Book Review (ebr ) is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

ISSN: 1553-1139

© 2018
ebr is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.