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digital futures of literature, theory, criticism, and the arts

perspective

Cybertext Theory: What An English Professor Should Know Before Trying

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other essays by
Markku Eskelinen

Cybertext Theory: What An English Professor Should Know Before Trying

Eskelinen responds in turn

Markku Eskelinen’s response

Markku Eskelinen’s response to Julian Raul Kucklich

Towards Computer Game Studies

other essays in
Joyce, Moulthrop, Jackson

rock pile image

The Contour of a Contour

by David Ciccoricco

L’Affaire PMC: The Postmodern Culture-Johns Hopkins University Press Conversation

PMC editor Stuart Moulthrop responds

by Stuart Moulthrop

Geek Love Is All You Need

by Steven Shaviro

Stitching Together Narrative, Sexuality, Self: Shelley Jackson’s Patchwork Girl

by George Landow

electropoetics:

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This 3D environment exhibits the past waterscape of Coimbatore. The waterscape represents the river, trees and butterflies with poetry in Tamil.

Electronic literature as a method and as a disseminative tool for environmental calamity through a case study of digital poetry ‘Lost water! Remains Scape?’

by Shanmugapriya T, Deborah Sutton

Towards Minor Literary Forms: Digital Literature and the Art of Failure

by Illya Szilak

At a Heightened Level of Intensity: A Discussion of the Philosophy and Politics of Language in John Cayley’s Digital Poetics

by John Cayley, Scott Rettberg

from the archive

Mind the gap! 10 gaps for Digital Literature?

by Serge Bouchardon

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ebr is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

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fictions present
first person
technocapitalism
writing (post)feminism
electropoetics
internet nation
critical ecologies
webarts
end construction
image + narrative
music/sound/noise
writing under constraint

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Electronic Book Review (ebr ) is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

ISSN: 1553-1139

© 2018
ebr is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.