Regarding a monumental work on race, time, and classical music that does not lose sight of individual, localized lives.
Paul Braffort studies constrained writing from Henry Adams to Braffort's own ALAMO project, and presents his findings in the form of a Triolet (between 1999 and 2000 words)
Tom LeClair surveys six gargantuan texts—both hyper- and print—and finds that size is not all that matters.
Joseph Tabbi identifies a shift in U.S. criticism that has taken place in the eight years separating Susan Strehle's Fiction in the Quantum Universe and John Johnston's Information Multiplicity.
Linda Brigham reads How We Became Posthuman the way Katherine Hayles reads novels: as a story that resists both linearity and the analytical ardor of attempts at humanist ordering.