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electronic book review

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digital futures of literature, theory, criticism, and the arts

salmon rusdie

Poetry in the Electronic Environment

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other essays by
Stephanie Strickland

Dali Clocks: Time Dimensions of Hypermedia

Dovetailing Details Fly Apart – All Over, Again, In Code, In Poetry, In Chreods (with an Introduction by Joseph Tabbi)

Moving Through Me as I Move

Poetry in the Electronic Environment

Post-Digital Debates and Dialogues from the electronic book review

electropoetics:

Other Essays in

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“the many gods of Mile End”: CanLit Print-Culture Nostalgia and J.R. Carpenter’s Entre Ville

by Carl Watts

River: Forking Paths, Monsters, Simultaneous Timelines and Continuity over 25 Years of Creative Practice

by Caitlin Fisher

The Art Object in a Post-Digital World: Some Artistic Tendencies in the Use of Instagram

by María Goicoechea de Jorge

from the archive

Sim Capital: General Intellect, World Market, Species Being, and the Video Game

by Nick Dyer-Witheford

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ebr is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

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machine-writing
fictions present
first person
technocapitalism
writing (post)feminism
electropoetics
internet nation
critical ecologies
webarts
end construction
image + narrative
music/sound/noise
writing under constraint

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Electronic Book Review (ebr ) is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

ISSN: 1553-1139

© 2018
ebr is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.