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digital futures of literature, theory, criticism, and the arts

Waits

The Phenomenology of Reverb

David Rothenberg writes of the affective and effective power of reverb.

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other essays by
David Rothenberg

The Phenomenology of Reverb

musicsoundnoise:

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Sublime Frequencies’ Ethnopsychedelic Montages

by Marcus Boon

Playing the Blues: Pete Townshend’s Who I Am and Music as Experimental Autobiography

by Tim Keane

‘I am a Recording Angel’: Jack Kerouac’s Visions of Cody and the Recording Process

by James Riley

from the archive

Reconfiguring Flatness on Screen: A Short History of Cover Designs for Chinese Web Novels

by Renren Yang

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ebr is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

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machine-writing
fictions present
first person
technocapitalism
writing (post)feminism
electropoetics
internet nation
critical ecologies
webarts
end construction
image + narrative
music/sound/noise
writing under constraint

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Electronic Book Review (ebr ) is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

ISSN: 1553-1139

© 2018
ebr is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.