Joseph Tabbi identifies a shift in U.S. criticism that has taken place in the eight years separating Susan Strehle's Fiction in the Quantum Universe and John Johnston's Information Multiplicity.

Bruce Clarke reviews the new translation of Grammophone, Film, Typewriter, a requiem and good-riddance for the era of so-called Man.

Luc Herman reviews the collection, Cyberspace Textuality by Marie-Laure Ryan, and warns against the creation of a false dichotomy between the digital and traditional print text.

Noting that media are not only proposed to readers but also imposed on customers, Jan Baetens introduces Adorno into the debates on remediation.

Linda Brigham reads How We Became Posthuman the way Katherine Hayles reads novels: as a story that resists both linearity and the analytical ardor of attempts at humanist ordering.

Walton Muyumba reviews Randall Kenan's massive meditation on race and introduces a new word into the discourse on African American literature: zugenruhe.

Luca Di Blasi reads Peter Sloterdijk straight.
Translation by Chris Thomas

David Zauhar reads Marjorie Perloff the way she reads poetry and philosophy: as ways of doing, rather than saying

Ted Pelton views Robert Creeley's image/text collaborations in Buffalo, NY.

Joseph Tabbi reads both the book and the hypertext version of Strickland's True North.

Paul Harris rediscovers the senior American member of Oulipo on the occasion of three new reprints from The Dalkey Archive Press.

Phillippe Bootz gives an account of the longest standing web-based literary journal in France.
Translation by James Stevens