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[…]diminishing species of our earth. The Lost Passage by Amay Kataria (see Fig. 4), draws attention to and digitizes the Passenger Pigeon, extinct in the early 20th century. In this beautifully swirling interactive piece, viewed on a monitor (you can interact with it here: https://thelostpassage.art/ ), Kataria recreates their patterns in an exquisitely crafted digital 3-D landscape. There were several other interactive digital works on monitors and some cards with QR codes for viewing on devices or at a later time, including a compelling and weird work of electronic literature in Twine, Dayforth by groundbreaking artist, Mez Breeze (view here: […]
[…]Practices in Media Studies by Darren Wershler, Lori Emerson, and Jussi Parikka aims to provid[e] both a method and a model for thinking about labs in general (240) by exploring the qualities and characteristics of laboratory spaces, both traditional and unusual, from medieval monasteries to contemporary university media labs and Silicon Valley start-ups. Through a dozen case studies ranging from the well-known (MIT Media Lab) to the esoteric (The French-Language Lab at Middlebury College, Vermont circa 1928), the authors show how labs connect deliberate processes across a nebulous web of relations between technicians, technologies, traditions, techniques, and trajectories. Instead of […]
[…]itself in several ways. Most notably, if I am permitted a tiny bit of levity, there was his latest incursion in Facebook Jail after Jeremy had let off steam online and got kicked off the platform for three days. If Jeremy was not seen posting, it was assumed that Facebook, Twitter, or some other platform took notice of Jeremy’s comments. Conversely, there would be points where he would get tired of the idiots online and take his cyber–scythe to people on his friends list, myself included, only to be reinstated three or four days later. He was a cybernetic Byron […]
[…]of differential calculus (Adkins, 2015). Jon Roffe explains intensity via the social: “[C]hanges in society-social dynamisms—do not involve a passage from one actual series to another, but the passage from the intensive to the extensive” (287). The point speaks to the fact that the intensive is immanent to the extensive, generating difference from within. We can see from the sense-data in the hypertext of the above case that the intensive and the extensive are not reciprocally conditioned; intensity is qualified and quantified in extensities. The expressive intensity of a sense-event in the extensive offers a mode of understanding computation in […]
[…]have considered twentieth-century mass media technologies as impinging on life, we refer to our latest communication technologies as forms of life, even though we may also recognize the inappropriateness of doing so. In her book Plasticity at the Dusk of Writing, Malabou claims that the epoch of writing is over: “plasticity, as a still uncertain, tremulous star, begins to appear at the dusk of written form” (15). Whatever Malabou may have meant by this, nearly twenty years after the initial French language publication of her book it is sensible to think of AI as being central to her theorization of […]
[…]and presciently riffs in her opening comments to a 2003 UC Berkeley lecture entitled From Cyborgs to Companion Species, “Since everyone of us is a congerie of many species running into the millions of entities, which are indeed conditions of our very being, so the mono-specificity is one of the many illusions and wounds to our narcissism …” 🙈 “Since everyone of us is a congerie of many species running into the millions of entities, which are indeed conditions of our very being, so the mono-specificity is one of the many illusions and wounds to our narcissism …” — Donna […]
[…]intelligence establishment, filtered into affiliated universities, foundations and think tanks, and formed the backbone of technological development. Identifying the colony, asylum, and camp as embodiments of the “terrific threats of technocratic power run amok, of the state’s data-driven exercises to control human conduct,” Geoghegan illuminates the antecedents of cybernetics that frame its origins (1). On the one hand, such endeavors loomed large in people’s minds as grim examples of organizational power. On the other hand, armed with a consciousness of these travesties (and impressed by their power), cybernetics arose from the hope that it might be possible to organize mass […]
[…]fake? Well, when you’re talking about culture, it depends on how much energy a person is willing to commit to it. That’s what makes it real or not, when it starts as play. So that’s the journey, I guess. And then along the way, meeting people that got me involved in different stuff after that . . . but unstructured. RW What were the first Netprovs you participated in? DH Getting into Netprov was a whole different thing. You’re probably familiar with the Fall of the Site of Marsha, but which was the first, sort of… So, I had gotten […]
[…]“Integroscope” that Pynchon invents in Against the Day, a technical apparatus that allows us to free the lived durée that is frozen in the long exposure times of old photographs, and thus to recover the living movie from the still photograph. Ultimately, of course, we would all want all texts to be forever rewritten. Herman & Krafft note that, symptomatically, Pynchon wasn’t happy with V. even after its publication. In his introduction to Slow Learner he, whether that ‘he’ shows an honest face or yet another mask, voices the same sentiment about The Crying of Lot 49. If it is […]
[…]more of it), Gatsby whose social success comes from mastering how to throw a gossip-worthy party, and Tom Ripley the identity-inhabiting chameleon who charms away investigation into his murders with perfectly calibrated social etiquette. In Gaddis’s novel, the characters JR learns from—like Major Hyde, overseeing the school as a part-time job beyond his military and business commitments, or Governor Cates the coordinator of the business conglomeration that is reaching out to absorb the school—are the charisma-less modern versions of single-minded accumulators or brutish simplifiers like Cowperwood and McTeague. JR is “educated” by eavesdropping on conversations between these men in the […]