Clint Burnham
[…]of English at Simon Fraser University in Burnaby & Surrey, British Columbia, Canada. His latest book is The Only Poetry that Matters: Reading The Kootenay School of Writing.You can follow him on twitter: […]
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Julie Reiser
[…]is a senior lecturer for the Professional Communication Program at Johns Hopkins University. Her latest essay, “‘Thinking in Cartoons’: Reclaiming Spiegelman’s In the Shadow of No Towers,” is forthcoming in The Journal of Graphic Novels and Comics. Prior to joining Hopkins, Julie was a full-time lecturer at Towson University where she taught American literature, creative writing, and composition courses. She can be reached at […]
Martin Paul Eve
[…]is the author of Pynchon and Philosophy: Wittgenstein, Foucault and Adorno (Palgrave, 2014); Open Access and the Humanities: Contexts, Controversies and the Future (Cambridge University Press, 2014); and Password (Bloomsbury, […]
New ebr Interface
[…]conceptually, the journal becomes a whole, its past is its present – the growth, history, and activity of the journal actively contribute to its appearance – this issue of the journal being whole – the journal itself becomes a corpus, a library, a larger work built of inter-related parts – are we making the whole too dominant? – nothing is replaced by more current versions – greater continuity between themes (?) – opportunity for reconfiguration – new themes can emerge from “old” themes – opportunity to keep debates “alive” – greater hypertextuality? Additionally, as we were thinking it through, it […]
A Nice Derangement of Epigraphs
[…]by Horatio Greenough – “Not to promise forever, or to boast at the outset, not to shine and to seem, but to be and to act, is the glory of any coordination of parts for an object” – in order to quote probably not for the first time a sentence written by Joseph Needham in his study of ancient Chinese thought – study that takes him through Leibniz and, with some misunderstandings (which I leave to experts on Leibniz), into the development of binary arithematic that has a future in “those zeroes and ones twinned above” and within this computer […]
Wireless Communities?
[…]rather by the amount of data transferred. My current rate is $10/month for 50 KB. That’s fine for sending and receiving a couple of wireless email messages a day, but two or three pieces from ebr would easily max out a user’s allotment for the month. (One can, of course, always opt to pay more for the privilege of receiving more data – but it can get expensive quickly.) Still, I’m fascinated by the possibilities here; Palm-friendly e-publishing that aspires to something more than Stephen King is a consummation devoutly to be wished. Best, […]
Everyone An Artist?
[…]the production of contemplation inspired by the desire to speak about something? Is writing about to become writing for its own sake, everyone’s effort a work of art (and here I betray my eternal longing to talk about art rather than to be an artist – do I have to become one to speak?)? All these questions. Will Joe become the quality master? I guess he is […]
How Are We Going To Kill Information?
[…]raised into crude categories, two of which (opposed) I just want to briefly mention. The first is form, and I am tremendously excited by the careful thought and attention I find here towards the notion of “emergence.” This is a great experiment somewhere between trad. categories of communication and collaboration that will no doubt dwarf my already humbled imagination. The other question I don’t think I’ve seen directly mentioned (although indirectly in several of Anne’s points): the question of death. How are we going to kill information? I really think we need some kind of killer loose in this environment, […]
Music/Sound/Noise
[…]the Internet economy. At the same time, however, msn offered an opportunity for dematerialization, and for a deconstruction of the commodity, “music,” into its less widely marketable composition as “sound” and “noise.” There’s a parallel here to the sort of critique that ebr has attempted from the start, a project that spatializes the web, but in an especially fleeting and evanescent way. As one literary/academic site within a network whose extension is literally global, ebr has needed to organize itself within and continually adjust to the very environment we critique. With the introduction of sound, this problematic – the achievement […]
Webarts
[…]texts that were never intended for digital reproduction. Rather, we’re interested in how the hand and the eye of a reader, accustomed to the turning pages of a book, can be guided through a well-designed web installation by the collaborative action of word and image. That the habits of linear reading die hard, however, was brought home to us by a review this year in Europe’s leading design journal, whose author reproduced the longest essay in ebr10 and our entire list of contents, without ever mentioning the visual movement that takes a reader from one screen to the other, let […]