Darren Tofts reviews a popularization by Marie O'Mahony and an auto-critique of cyberculture by Andrew Murphie and John Potts.

Sven Philipp on Cosmopolis and what seems to be a new stage in the critical reception of DeLillo.

Stuart Moulthrop complicates the idea of self-contained games.

Ralph Berry on Avant-Garde fiction and the future of the page.

Lance Olsen continues the FC/2 authors' discussion of Carole Maso's AVA and adds some bits on Laird Hunt, Mark Z Danielewski, Judd Morrissey and Lori Talley, and other recent U.S. avant-gardists.

Further on Gertrude Stein, Carole Maso, and the avant garde in U.S. fiction from Lidia Yuknavitch.

Picking up Lance Olsen's theme of thinking as digestion, Michael Martone chews on what's Avant Garde about Baltimore.

Rone Shavers argues that making readers aware of subjugation - the strategy of Harold Jaffe's False Positive - exposes little and hardly changes our relation to power.

A review of Writing Machines, building on a number of the book's earlier reviewers in ebr and elsewhere.

Regarding a monumental work on race, time, and classical music that does not lose sight of individual, localized lives.

Jim Rosenberg sends a shot of grammar straight across the bow of Nick Montfort's controversial Cybertext review, adding volume to a volley already in progress.

On a posthumanism potentially worthy of the name.

Scott Rettberg introduces 'New Media Studies': a cluster of reviews, and a term (similar in its emergence to the term 'Postmodernism').

A book about books conscious of their materiality, N. Katherine Hayles' Writing Machines draws praise from Raine Koskimaa for its own media consciousness, and blame for embodied emphasis.

Over 800 pages, the New Media Reader does not exhaust its subject; it even sets the stage for a companion volume.

Form and platform are bridged in Stephanie Strickland's "V: WaveSon.nets/Losing L'una," a book with two beginings and a website to boot. Chris Funkhouser tests the load limit of this innovative, precarious structure.

Rob Wittig looks at one of the earliest "Weblogs," and finds there a persisting model for serial e-fiction and an interaction no less compelling than the literary correspondence between Henry Miller and Anais Nin.

Scott Rettberg appreciates Weinberg's small pieces more than his 'unified theory,' while viewing the Internet not as an economic panacea but a communication medium woven into the fabric of contemporary culture.

Komninos Zervos reviews the Hayles/Burdick collaboration, Writing Machines (2003), and reengages the cyberdebates (initiated in Y2K).

Aaron Pease reviews Manual DeLanda's philosophy of the virtual.