foucault

Noting that media are not only proposed to readers but also imposed on customers, Jan Baetens introduces Adorno into the debates on remediation.

Bruce Clarke reviews the new translation of Grammophone, Film, Typewriter, a requiem and good-riddance for the era of so-called Man.

Timothy Luke reviews Nicholas Negroponte and takes a second look at 'digital subjectivity.'

Shirin Shenassa situates Roman de la Campa's Latin Americanism within the critical discourses of the world's metropolitan centers and introduces a new thREAD into ebr's Internet Nation series

Diana Lobb tackles the legacy of positivism and the politics of chaotics.

Jan van Looy reviews Silvio Gaggi on hypertext fiction up to the early '90s.

Mike Barrett evaluates Steve Tomasula's The Book of Portraiture in terms of its place between tradition and artistic innovation in the 21st century.

Matt Kirschenbaum reviews Remediation by Richard Grusin and Jay David Bolter.

Linda Brigham reads How We Became Posthuman the way Katherine Hayles reads novels: as a story that resists both linearity and the analytical ardor of attempts at humanist ordering.