Regarding a monumental work on race, time, and classical music that does not lose sight of individual, localized lives.
Komninos Zervos reviews the Hayles/Burdick collaboration, Writing Machines (2003), and reengages the cyberdebates (initiated in Y2K).
On a posthumanism potentially worthy of the name.
hypertext? cybertext? hypermedia? webart? while new media critics debate the terms, Talan Memmott has produced the thing itself, a creative use of applied technology.
Darren Tofts reviews a popularization by Marie O'Mahony and an auto-critique of cyberculture by Andrew Murphie and John Potts.
Diana Lobb responds to Katherine Hayles and ponders the ambiguities of dialogue.
In this review Veronica Vold charts the posthuman environmental ethic in Stacy Alaimo's Bodily Natures: Science, Environment, and the Material Self and notes how the text draws together issues of race, (dis)ability, and the environment in a way that disrupts the boundaries between bodies and places.
Beginning his review by reflecting on the book's cover art, John Bruni speculates that a punk aesthetic runs throughout Alaimo's posthuman environmentalism. Providing brief treatments of each chapter, he argues that the book's trans-corporeal understanding of the relationship between bodies and places disrupts "the very heart of what we know about ourselves."