machine-writing

In his review of Mark Amerika's My Life as an Artificial Creative Intelligence (2022), David Thomas Henry Wright highlights Amerika's negotiation of human, nonhuman, symbiotic creative practices in comparison with more traditional (including traditionally experimental) forms of writing.

Davin Heckman offers thoughts on Matthew Kirschenbaum's now well-known essay in The Atlantic, The Textpocalypse (2023). Contemplating our own limits in digital media scholarship, including the reinforcing of technological determinisms, Heckman discusses the concept of transindividuation and its relationship with technology, or, the process of becoming an individual through participation in culture and society.

Avoiding the "twin pitfalls of either Luddite dread or AI boosterism," in this essay George MacBeth offers a close Re-Reading of Jhave's ReRites.

In this republished Medium essay, Ian Demsky takes a personal and playful dive into AI image generation.

In his review of Glitch Poetics, Richard Carter finds more than a close reading of contemporary e-lit and AI enhanced writing. In a book that is both aesthetic and machinic, critical and creative, Jones explores the nature of writing itself "and, indeed, reading, in an environment saturated by the rhythms and predilections of digital code."