Nick Montfort reviews Espen J. Aarseth's Cybertext, which stakes out a post-hypertextual terrain for literary criticism and practice. Interactive excerpts from some of the cybertexts that Aarseth discusses are included.

hypertext? cybertext? hypermedia? webart? while new media critics debate the terms, Talan Memmott has produced the thing itself, a creative use of applied technology.

Tom LeClair surveys six gargantuan texts—both hyper- and print—and finds that size is not all that matters.

Perusing websites pertaining to literary matters, Eye magazine cites HTML's "gaptoothed rawness" as a hindance to readability in ebr (prior to the journal's redesign).

Paul Harris examines the theoretical aspects of constrained thinking in the age of electronic textuality (in 2000 words, natch!)

Thomas Hartl reviews Ron Sukenick's Mosaic Man

ebr10, a satisfyingly even number published at the turn of the millennium, seemed at the time like the right occasion for calling an end to issues altogether. In the event, we would not manage to eliminate issues until February 2002 - that palindromic month and year, as satisfying in its way as the y2k.

Cynthia Davidson reviews Sex for the Millennium by Harold Jaffe

Bernardo Schiavetta: a definition (in 2000 words)

a short fiction by Harry Mathews

Paul Braffort studies constrained writing from Henry Adams to Braffort's own ALAMO project, and presents his findings in the form of a Triolet (between 1999 and 2000 words)

William O'Rourke on the beat of the Clinton beat

Tony D'Souza on Alex Shakar's Metamorphoses.

Alain Vuillemin comprehends the compendium - a summing up of four decades of Oulipian activity.
Translation by James Stevens

Brian Lennon considers the aesthetic that Retallack has evolved out of a cybernetic sensibility - a formalism that does not impose authoritarian codes or repressive orders, but rather hacks a pattern out of the sheer data of everyday life: directories, menus, phone books, indexes, encyclopedias, and archives.