Search results for "critical code studies working group"
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[…]Towards Preventing and Controlling Cancer with Diet and Lifestyle. NJ, Wayne, Avery Publishing Group, 1982. Kushi Michio; Alex Jack, The Cancer Prevention Diet: Michio Kushi’s Nutritional Blueprint for the Prevention and Relief of Disease. New York, St. Martin’s Press, 1994. Michael Learner, Choices in Healing: Integrating the Best of Conventional and Complementary Approaches to Cancer. MA, Cambridge, MIT Press, 1994. Patrick Quillin; Noreen Quillin, Beating Cancer with Nutrition: Clinically Proven and Easy to Follow Strategies to Dramatically Improve Your Quality and Quantity of Life and Increase Chances for a Complete Remission. OK, Tulsa, Nutrition Times Press, 1994. The list reproduced […]
[…]Civil Liberties Union. 2018. Judge Allows ACLU Case Challenging Law Preventing Studies on ‘Big Data’ Discrimination to Proceed. American Civil Liberties Union. April 2, 2018. https://www.aclu.org/news/judge-allows-aclu-case-challenging-law-preventing-studies-big-data-discrimination-proceed. Bratton, Benjamin H. 2016. The Stack: On Software and Sovereignty. Cambridge, MA: The MIT Press. Eubanks, Virginia. 2018. Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor. New York, NY: St. Martin’s Press. Haraway, Donna J. 2016. Staying with the Trouble: Making Kin in the Chthulucene. Durham, NC: Duke Univiversity Press. Lyon, David. 2015. Surveillance After Snowden. Cambridge; Malden, MA: Polity. MacCormack, Patricia. 2012. Posthuman Ethics: Embodiment and Cultural Theory. Farnham, Surrey, […]
[…]not simply a machine for the creative generation of language, but a machine for the generation of critical, possibly evaluative, riPOSTes that are conscious of the institutional framing of the text they […]
[…]a number of different types of voices. The six characters sort of represent different age groups, different socioeconomic groups, as well as different types of reactions to the events. Some of this was again based loosely on the non-fiction research that Rod and his students did. The voice of the fisherman character, for example, I adapted the style of that voice, and some elements of his story, from interviews that Rod’s students did with longshoremen in Philadelphia. And the voice of the FEMA worker, in a way he serves an expository role, as a way to bring in that factual […]
[…]of national, regional, and stylistic varieties and combinations of natural and computational codes. The media in which these expressive forms occur shape the potential uses and meanings of various semiotic modes, and each digital language art-efact thus has to be seen as a stand-alone, unique manifestation of the semio-medial liberties that digital language artists have at their disposal, or indeed create for their own practices and those of others. Although the illness metaphor evoked by Cayley’s titular suffixation may seem inhibiting, the complexity of his underlying ideas helps to move us toward an idealist image of humanity faced with the […]
[…]information of a cursor with a plot triggers a bell sound created by additive synthesis. The vocoders only use 3 samples: a cello sound lasting one second, a whisper in a musical atmosphere of 50 seconds and the lapping of a river of 14 seconds. Due to the digital processing of sounds, these samples can be recognized only at certain times. The whisper can be heard only at the beginning of the work and the sound of the water only at the end. In other words, the “primitive” sounds of the piece can only be heard in specific geometric configurations […]
[…]has a long history in electronic literature. She considers, for example, the role of the source code and its manipulability in Nick Montfort’s “Taroko Gorge” and the many remixes and revisions produced thereafter. She even looks back to John Cage’s chance procedures and use of computational processes to identify that this process even predates what we now call electronic literature. The movement towards embracing the computer as co-producer of the literary work is an unstoppable current, she seems to suggest at the essay’s end, observing that “[w]e are now on the verge of developments that promote our computational symbionts to […]
[…]essay? If not, why not? For “the distinction”, as Peter Boxall writes, “between creative and critical writing is becoming harder to sustain” in the twenty-first century. And if everything, as Professor Einstein might put it, is relative with no consistent frame of reference, how can our shared social categories that define writing and genre hold? Yet, not everyone subscribes to the view that there is a contemporary melding of creative and critical practices. Recent computational approaches by Andrew Piper have revealed that this breakdown of boundaries is less pronounced than we might imagine. Piper shows, for example, that machine classification […]
[…]Ecco, 2017. Hecht, Paul J. “Distortion, Aggression, and Sex in Mary Wroth’s Sonnets.” SEL Studies in English Literature 1500-1900, vol. 53, no. 1, 2013, pp. 91–115. Project MUSE, doi:10.1353/sel.2013.0000. Klein, Richard. “The Future of Literary Criticism,” Literary Criticism for the Twenty-First Century, special issue of PMLA, vol. 125, no. 4, 2010, pp. 920–23. ProjectMuse. Klimas, Chris. “Twine: Past, Present, Future.” chrisklimas.com. 21 June 2019. https://chrisklimas.com/twine-past-present-future/. Levine, Caroline. Forms: Whole, Hierarchy, Network. Princeton University Press, 2015. Ligman, Chris. You Are Jeff Bezos. 2018. https://direkris.itch.io/you-are-jeff-bezos. Montfort, Nick. Twisty Little Passages: An Approach to Interactive Fiction. MIT University Press, 2003. Moulthrop, Stuart. “Stuart […]
[…]are not random (non-conscious) but formed within the social organization of our respective groups. Interestingly, this doesn’t mean that our feelings are not real or felt in our bodies, but rather that they are always representational, discursive. Wetherell’s explanation is thus an interesting way of approaching representation as the very foundation of our felt everyday lives. It also urges us to consider non-traditional spaces of meaning-making. Building on this, I argue that the routines and relational patterns that are created through the affective practices of care are themselves creating meaning; one that manifests itself not only in signs, codes and […]