Search results for "critical%20code%20studies%20working%20group"
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[…]“Oil-Fueled Accumulation in Late Capitalism: Energy, Uneven Development, and Climate Crisis.” Critical Historical Studies, vol. 7, no. 2, 2020, pp. 206–40. https://doi.org/10.1086/710799. Marx, Karl. Capital, Volume I. Translated by Ben Fowkes, Penguin, 1976. Panitch, Leo and Sam Gindin. “Finance and American Empire.” American Empire and the Political Economy of Global Finance, edited by Leo Panitch and Martijn Konings, Palgrave, 2008. Shaw, George Bernard. The Perfect Wagnerite: A Commentary on the Nibelung’s Ring. Dover, 1967. Sobel, Robert. The Age of Giant Corporations: A Microeconomic History of American Business, 1914–1992, 3rd ed., Praeger, 1993. Spiro, Joan Edelman. The Politics of International Economic […]
[…]feedback loops happening, but it really is a networked thing. And you can see this in the way that groups treat characters like you’ll have fandom, and everybody will converge on an idea of who that character is. And sometimes it’s quite different than what’s in the original work, but because everybody has been writing these stories, they come together as one characterization. FK: The other thing I was going to mention is that it can be tempting to say, well, there’s fan studies and there’s all this stuff and that’s basically social science research. Maybe you could do literary […]
[…]which I guess is ultimately text. Another thing I remember about it is, I’m not sure it was working even at the time, but there’s a soundtrack, right? RA: I managed to get it working again because RealAudio Player got completely left behind, and so I’ve since reloaded the 8-tracks as MP3’s. There were suggestions of which tracks to play with which chapters. Another note here is that my good old friend Colin Gagon and Will Oldham, there he is again, were the collaborators on the soundtrack. Colin and I played with and toured with Will for many years in the […]
[…]lab. It’s been just this kind of funny thing that my entire career I’ve generally I moved from working in a solitary practice to working in physical spaces, generally in teams, working collaboratively. SR: I want to read the list because you’re the Director of the Immersive Storytelling Lab at York University, the Augmented Reality Lab, and the Founding Director of the Future Cinema Lab. That’s a lot of labs. CF: It’s a lot of labs. SR: Can you say just a little bit about what all those things are and how you juggle it all? CF: Yeah. So, the […]
[…]Their collaboration also became the springboard for John Matthias’s “Working Progress, Working Title [Automystifstical Plaice].” In what some have called his richest poem, Matthias allows the factual details of the Lamarr-Antheil story to expand into a meditation on the “progress” of sound-and-noise, film, film history, history generally — and how the “frequency hoping” of technology, representation, systems of constraint, and sources of power go into the composition of what we call culture. A discussion of “Working Progress” and other Matthias poems can be found in the current issue of Samizdat. Click here to go to the […]
[…]unity. It falls victim to overambition, missing attainable goals in the pursuit of a new ecocritical understanding. The first section of the book examines the history and future of wilderness and features essays by R. Edward Grumbine, Denis Cosgrove, and Max Oelschlaeger. Each writer treats the dual concepts of “wilderness” and “wildness” but there is little common ground among them as to definitions or methodology. As a result, the authors’ collective efforts to illuminate these terms serves instead to obfuscate an already vexing issue of terminology. Differentiating between wilderness and wildness forms a crucial subtext throughout the book, but only […]
[…]Centre for Contemporary Culture, University of Jyväskylä. —. (2001b). “Computer Game Studies, Year One.” Game Studies 1, no.1 (July 2001). http://www.gamestudies.org/0101/editorial.html. Avedon, Elliott M., and Brian Sutton-Smith (1971). The Study of Games. New York: Wiley. Bénabou, Marcel (1998). “Rule and Constraint.” In Oulipo: A Primer of Potential Literature, edited by Warren J. Motte, Jr. Normal, IL: Dalkey Archive Press. Bolter, Jay David, and Richard Grusin (1999). Remediation: Understanding New Media. Cambridge, MA: MIT Press. Bordwell, David (1984). Narration in the Fiction Film. Madison: University of Wisconsin Press. Bremond, Claude (1980). “The Logic of Narrative Possibilities.” New Literary History 11 (1980): […]
[…]by Jordan Mechner (1997). (Jordan Mechner, Phoenix Licensing) back to Towards Computer Game […]
[…]resembles Hollywood movies in both form and content. Counter to the prevailing sentiment in film studies, Ulmer reads the later work in terms of the earlier work to both confound the apparent opposition and to suggest a model for applied grammatology. Ulmer’s reading resembles Roland Barthes’ S/Z (1974), a re-reading of a Realist story to recover a visual and semantic montage of the fragments with which the story emerges. Ulmer re-reads Eisenstein’s last completed film as a picto-ideographic (visual semantic) montage. Lesson two: modeling My own work, in Artificial Mythologies (1997), used a similar strategy to read Roland Barthes’ earliest […]
[…]between human exploitation and animal exploitation: “In both cases, members of a more powerful group arrogate to themselves the right to use beings outside the group for their own selfish purposes, largely ignoring the interests of the outsiders. Then they justify this use by an ideology that explains why members of the more powerful group have superior worth” (pp. […]