[…]review, “Mister Squishy, c’est moi: David Foster Wallace’s Oblivion,” is posted on ebr‘s Critical Ecologies thread. Kiki Benzon is an assistant professor in English and a student in neuroscience at the University of Lethbridge, Canada. She edits the Fictions Present thread at ebr and has published essays on mental health, new media, and contemporary literature. Her review, “Mister Squishy, c’est moi: David Foster Wallace’s Oblivion,” is posted on ebr‘s Critical Ecologies […]
[…]a collaboration with Mark Amerika and Rick Silva. Trace is Assistant Professor of Digital Media Studies at the University of Denver, and the graduate director of the M.A. in Digital Media Studies. More on Trace […]
Lori Emerson is Associate Editor for ebr. Her critical work can also be found in The Emily Dickinson Journal, Postmodern Culture, Leonardo Electronic Almanac, and Cybertext Yearbook. She’s co-editor of The Alphabet Game: A bpNichol Reader (Coach House Books, 2007). Emerson is Assistant Professor of digital media in the Department of English at the University of Colorado at Boulder. Lori Emerson is Associate Editor for ebr. Her critical work can also be found in The Emily Dickinson Journal, Postmodern Culture, Leonardo Electronic Almanac, and Cybertext Yearbook. She’s co-editor of The Alphabet Game: A bpNichol Reader (Coach House Books, 2007). Emerson […]
[…]in American literature of the post-Bretton Woods era. His research interests also include global studies, media theory, and science fiction. Aron Pease is a Brittain Fellow at the Georgia Institute of Technology. His book manuscript uses scale to analyze representations of production in American literature of the post-Bretton Woods era. His research interests also include global studies, media theory, and science […]
[…]Media, which received the 2001 Aldo and Jeanne Scaglione Prize for Comparative Literature Studies, also from the Modern Language Association; and of Avatars of Story: Narrative Modes in Old and New Media (2006). A native of Geneva, Switzerland, Marie-Laure Ryan is an independent scholar based in Colorado. She is the author of Possible Worlds, Artificial Intelligence and Narrative Theory, which received the 1992 Prize for Independent Scholars from the Modern Language Association; of Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media, which received the 2001 Aldo and Jeanne Scaglione Prize for Comparative Literature Studies, also from […]
Brandon Barr is currently working toward his Ph.D. at the University of Rochester in New York, where he teaches classes on digital technology, poetry, and composition. He is the founder of the Banner Art Collective (http://bannerart.org), which collects net.art and poetry constructed and disseminated within the limitations of WWW advertising. Brandon Barr is currently working toward his Ph.D. at the University of Rochester in New York, where he teaches classes on digital technology, poetry, and composition. He is the founder of the Banner Art Collective (http://bannerart.org), which collects net.art and poetry constructed and disseminated within the limitations of WWW […]
[…]Institute for Law & Environment (BAILE); Distinguished Visiting Professor of Environmental Studies at Williams College; and Visiting Professor at Federal University of Bahia, […]
[…]and co-editor of the first Electronic Literature Collection. She has also published a number of critical papers and interviews. As the McEver Chair in Writing at the Georgia Institute of Technology, Strickland created and produced a TechnoPoetry Festival. Strickland’s work across print and multiple media is being collected by the David M. Rubenstein Rare Book And Manuscript Library at Duke University. For more on her work, […]
[…]account of the In.S.Omnia collective, Sleepless in Seattle, an essay in the “grey” section of Critical Ecologies (ebr4) titled HYPER-LEX: A Technographical Dictionary, and an early reflection on electronic literature entitled Constrained Thinking: From Network to Membrane. His most recent reviews are of three re-released novels by Harry Mathews and the online on-the-road narrative, Rude Trip. Paul Harris teaches at Loyola Marymount University. His contributions, dating from the start of ebr, include an account of the In.S.Omnia collective, Sleepless in Seattle, an essay in the “grey” section of Critical Ecologies (ebr4) titled HYPER-LEX: A Technographical Dictionary, and an early reflection […]
[…]Information: Representation in Science and Technology, Art, and Literature (Stanford, 2002). He is working on a book project, Systems Cultures, examining the discourse of systems since the […]