Search results for "critical code studies working group"
| Results 461 - 470 of 1114
|
Page 47 of 112
|
|
Sorted by: Relevance | Sort by: Date
|
Results per-page: 10 | 20 | 50 | All
|
[…]laudable and understandable, especially in the light of Herman & Krafft’s flawless politeness, critical generosity and respect for other critical voices, such a narratological ‘solution into playful irony’ tends to smooth out the often painfully sharp and hurtful edges and contours of specific sentences, passages and characterizations. Considering that Pynchon’s texts always acknowledge ‘our’ immature complicity with the dark sides of power and sin, we should perhaps give his texts some leeway, and in fact come to value their controversial and immature tendencies. Maybe one might even imagine a poetics of “more maturity, more immaturity!” Maybe we should value the […]
[…]and if what they do is often for harmful or destructive ends, it compels us because it reflects critical understanding of a traditional hierarchy and society that is equally corrupt behind its façade of rightness. One tradition of American antiheroes is closer to this line. These begin with Twain’s Birdofredum Sawin and Huck Finn, moving through Holden Caulfield toward (from Gaddis’s era) Randle McMurphy of One Flew Over the Cuckoo’s Nest. Like the European model, these are Romantic rejectors of an overly rationalized civilization, but unlike the Europeans they are often anti-intellectual and wilfully naïve, hence a greater proportion of […]
[…]and putting it back together again in order to fully grasp its material being, like the inner workings of a well-crafted clock. As a reader, I probably came well-prepared. Only three years earlier, I had had the privilege of attending the first seminar Hans-Walter Gabler, professor of English Literature at Munich University, offered using his recently published, first-ever critical edition of Ulysses. Naturally, in my early encounters with Gaddis, I deeply sympathized with Steven Moore’s approach as embodied in his Reader’s Guide to William Gaddis’s ‘The Recognitions’ to first and foremost lay bare the literary, cultural, and mythological allusions buried […]
[…]affecting all areas of life in the postwar period. In doing so, the links between Gaddis’s critical project in The Recognitions and in his mid-career novels become clearer, demonstrating an ongoing critical engagement with the effects of unfettered economic growth that undergirds Gaddis’s wide-ranging engagement with the social, economic, and political realities of his time. Works Cited Alberts, Crystal. “Mapping William Gaddis: The Man, The Recognitions, and His Time”. William Gaddis, ‘The Last of Something’: Critical Essays, eds. Crystal Alberts, Christopher Leise, and Birger Vanwesenbeeck, McFarland & Company, 2010: 9-27. Burn, Stephen J. “After Gaddis: Data Storage and the Novel”. […]
[…]silent because my presentation was just so non-academic. You know these are all people who are working on books, they’re working on chapters in an anthology, they’re working on their doctorate, and it was just a really funny contrast. But it occurred to me at that moment “yet here I am,” you know, so there is something that’s causing a bit of a bridge there to academia. I just sat there and I remember thinking in my mind we’re going to get to the end of this and I’m not going to have been asked a single question, whereas the […]
[…]“Oil-Fueled Accumulation in Late Capitalism: Energy, Uneven Development, and Climate Crisis.” Critical Historical Studies, vol. 7, no. 2, 2020, pp. 206–40. https://doi.org/10.1086/710799. Marx, Karl. Capital, Volume I. Translated by Ben Fowkes, Penguin, 1976. Panitch, Leo and Sam Gindin. “Finance and American Empire.” American Empire and the Political Economy of Global Finance, edited by Leo Panitch and Martijn Konings, Palgrave, 2008. Shaw, George Bernard. The Perfect Wagnerite: A Commentary on the Nibelung’s Ring. Dover, 1967. Sobel, Robert. The Age of Giant Corporations: A Microeconomic History of American Business, 1914–1992, 3rd ed., Praeger, 1993. Spiro, Joan Edelman. The Politics of International Economic […]
[…]feedback loops happening, but it really is a networked thing. And you can see this in the way that groups treat characters like you’ll have fandom, and everybody will converge on an idea of who that character is. And sometimes it’s quite different than what’s in the original work, but because everybody has been writing these stories, they come together as one characterization. FK: The other thing I was going to mention is that it can be tempting to say, well, there’s fan studies and there’s all this stuff and that’s basically social science research. Maybe you could do literary […]
[…]which I guess is ultimately text. Another thing I remember about it is, I’m not sure it was working even at the time, but there’s a soundtrack, right? RA: I managed to get it working again because RealAudio Player got completely left behind, and so I’ve since reloaded the 8-tracks as MP3’s. There were suggestions of which tracks to play with which chapters. Another note here is that my good old friend Colin Gagon and Will Oldham, there he is again, were the collaborators on the soundtrack. Colin and I played with and toured with Will for many years in the […]
[…]lab. It’s been just this kind of funny thing that my entire career I’ve generally I moved from working in a solitary practice to working in physical spaces, generally in teams, working collaboratively. SR: I want to read the list because you’re the Director of the Immersive Storytelling Lab at York University, the Augmented Reality Lab, and the Founding Director of the Future Cinema Lab. That’s a lot of labs. CF: It’s a lot of labs. SR: Can you say just a little bit about what all those things are and how you juggle it all? CF: Yeah. So, the […]
[…]Kelly, Our Biometric Future: Facial Recognition Technology and the Culture of Surveillance, Critical Cultural Communication, New York, NY: New York University Press, 2011. Haraway, Donna, “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective,” Feminist Studies 14, no. 3 (1988): 575-99. Magnet, Shoshana Amielle, When Biometrics Fail: Gender, Race, and the Technology of Identity, Durham: Duke University Press, 2011. Maurer, Kathrin and Anders Engberg-Pedersen (ed.): Visualizing War, Emotions, Technologies, Communities, New York and London: Routledge, Taylor & Francis Group, 2018. Mirzoeff, Nicholas, The Right to Look: A Counterhistory of Visuality, Durham and London: Duke University Press, […]