• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to secondary sidebar
  • Skip to footer

electronic book review

  • about ebr
  • policies and submissions
  • subscribe
  • Essays
  • Gatherings
  • newsletter
  • login

digital futures of literature, theory, criticism, and the arts

carlo ginzburg

Notes Toward a Proleptic History of Electronic Reading

Matthew Kirschenbaum rethinks the final section of First Person in light of "five basic strategies for furthering the history of reading."

Primary Sidebar

other essays by
Matthew G. Kirschenbaum
A User’s Guide to the New Millennium
Designing Our Disciplines in a Postmodern Age – and Academy
Materiality and Matter and Stuff: What Electronic Texts Are Made Of
Media, Genealogy, History
Notes Toward a Proleptic History of Electronic Reading
firstperson:
Other Essays in
No items found
4.1) Cover of the Sixth Edition Call of Cthulhu core rulebook. (Chaosium)
Narrative Structure and Creative Tension in Call of Cthulhu
by Kenneth Hite
Critical Code Studies Conference – Week Two Discussion
HBO’s Deadwood and Serial Necessity: A Response to Sean O’Sullivan’s “Reconnoitering the Rim: Thoughts on Deadwood and Third Seasons”
by Daniel Worden
from the archive
And the Last Shall Be the First
by Ralph Clare

Secondary Sidebar

ebr is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

  • subscribe to ebr
  • machine-writing
  • fictions present
  • first person
  • technocapitalism
  • writing (post)feminism
  • electropoetics
  • internet nation
  • critical ecologies
  • webarts
  • end construction
  • image + narrative
  • music/sound/noise
  • writing under constraint
  • Email
  • Facebook
  • Twitter

Footer

  • Email
  • Facebook
  • Twitter

Electronic Book Review (ebr ) is an online, open access, peer-reviewed journal of critical writing produced and published by the emergent digital literary network.

ISSN: 1553-1139

© 2018
ebr is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.