Between the manifesto and the treatise, the text and the paratext, the theoretical and the poetic, the aphoristic and the systematic: Manuel Portela situates the "expressive richness" of Johanna Drucker's "General Theory," and its critique of present social and political formations.

In an attempt to re-materialize postmodernism, Damien Gibson provides, by drawing on material ecocriticism and on the concept of “narrative agency,” a critical posthumanist reading of Jeanette Winterson’s The Stone Gods.

While describing the work of Beckett as deeply influenced by nominalism, Holly Phillips explores “ineffable permutations of intellectual history” and demonstrates how medieval philosophy has deeply influenced twentieth century literature. Simultaneously, Phillips undermines the idea that nominalism’s dismantlement of universals has finally been accomplished by postmodernism.

In an essay spanning modernist and postmodernist poetics, Lynley Edmeades demonstrates how postmodern poetry cultivates “present-ness” by drawing on Lyotard’s concept of “constancy,” Gertrude Stein’s notion of “continuous present” and Caroline Bergvall’s adherence to “non-linearity.”

In this essay, Neil Vallelly answers the question “What is postmodernism?” by demonstrating how disappearance, as envisaged by Jean Baudrillard, “lies at the heart of postmodern theory.” Vallelly also argues for the critical value of postmodernism’s traces in contemporary literature and suggests the adoption of a "methodology that embraces disappearance."

The closing keynote at the Summer 2015 University of Otag0 symposium, "What [in the World] Was Postmodernism," also closes the present collection, here in ebr (December 2016). In December of 2019, McHale's Afterword, Ciccoricco's Introduction and essays by Simon During and Amy Elias will be included in Post-Digital: Dialogues and Debates from electronic book review (Volume 2).

Simon During proposes to unravel the “layered” history of postmodernism in New Zealand. In so doing, the author of this essay treats postmodernism as “an event rather than a period” and describes postmodernism’s development in the epoch of neo-liberalism.

Jacob Edmond argues that while postmodernism might be useless as a theoretical concept or periodization, it nevertheless illuminates changes, both local and global, in the final decades of the twentieth century. Edmond analyzes the uses of postmodernism in the United States, New Zealand, Russia, and China. He shows how the various and even contradictory uses of the term postmodernism allowed it to represent both sides in the unfolding tension between globalization and localism in late twentieth-century culture.

An Introduction to the gathering.

Alexandra Dumitrescu’s essay describes the development of metamodernism in New Zealand and presents metamodernism as an interrogation of “modernist uprootedness or postmodern drifting.”

Lance Newman suggests Ecocriticism shares a problematic assumption with "green" capitalism: the idea "a livable future will result from billions of individual ethical decisions." Here he traces a burgeoning critical alternative that investigates the historical connections between global capital and the shifting structures of the "ecosocial."

Contrasting conventional notions of representational realism with the leaps of imagination underlying contemporary physics, Sean Miller explores the necessary role of an imaginary in sting theorists' search for a coherent "theory of everything."

John Bruni evaluates current proposals for animal rights and green capitalism, questioning whether the legal and economic discourse with which the question of animal life as thus far been bound up will ever allow us, as Cary Wolfe proposes, to think past ourselves.

This new thread, edited by Henry Turner and introduced by Joseph Tabbi, presents in short order what scholars today in the field of literature, science, and the arts are reading and viewing. Some of the citations appear online, and by 'enfolding' these references, ebr intends to build a profile of the field as it evolves, available to ebr readers for further annotation and construction.

A snapshot of items on Joseph Tabbi's desktops, vertical and horizontal, presented at the Chicago meeting of the Modern Language Association in December 2007.

Recorded by Joseph Tabbi. A week in the life of the artist.

There has never been a 'Best of the electronic book review' or a print collection. After ten full years of online publication, ebr has devised other ways of marking time, using techniques available in the same electronic media where the work first appeared. Here the editor presents an initial 'Gathering' of ebr essays, pulled from each of the journal's threads to date.

FC2 author and ebr "Fictions Present" editor Lance Olsen, in his 2005 novel offers one alternative for print fiction in the era of big data: to suggest and depict "the vastness of time when it is not strictly confined to numerical sequence."

R M Berry Replies to Joseph Tabbi

Joseph Tabbi Responds to R. M. Berry