postmodern

Lila Marz Harper shows the many dimensions of intertextuality between Edwin Abbott's Flatland and Steve Tomasula's VAS. From typography to narratology, Tomasula's "opera in flatland" follows Abbott, in a geometry of fiction that interrogates the biopolitics of today.

Thomas Hartl reviews Ron Sukenick's Mosaic Man

Recent fiction by Curtis White, Alex Shakar, Michael Martone, and others read through the lens of Gertrude Stein and Wittgenstein.

"The plot offers not so much progress as recurrence, duplication, and reiteration." Flore Chevaillier offers one way to fill in the gaps of Joseph McElroy "Canoe Repair."

Steffen Hantke presents an archeology of Don DeLillo's Underworld.

An argument against the collapse of categories by an author who has, yes, himself perpetrated a few codeworks.

Michael Boyden reflects on the stubborn and idiosyncratic fiction of Harry Mathews and introduces a new ebr gathering of work on and by Mathews.

William O'Rourke on the beat of the Clinton beat

On Amy Elias's view of fabulation in the moment of American corporate power, a postmodern novelistic aesthetic that is consistent with Sir Walter Scott's early nineteenth-century mix of romance and Enlightenment-inspired historiography.

"Dispersion" is a short-story by Rob Swigart.