Elizabeth Wall Hinds reviews Andrew Miller's first novel, Ingenious Pain, winner of the James Black Memorial Fiction Prize and the 1999 International IMPAC Dublin Literary Award.

Linda Brigham offers a Deleuzean take on Independence Day.

Jaishree K. Odin on the hyperfiction of M.D. Coverley.

noise poem: Raymond Federman. audio recording and production: Eric Dean Rasmussen and Shaun Sandor

The msn thread originated in the Fall of 2001 as an ebr special co-edited by Cary Wolfe, Mark Amerika, and Joseph Tabbi.

Cary Wolfe investigates why the reviewers were so rattled by the Lars von Trier film, and in the process puts Jacques Derrida, Stanley Cavell, Slavoj Zizek, and Judith Butler into conversation.

Reflections on Red/Yellow/Blue in the context of Music/Sound/Noise.

Reflection on the two titans of entertainment and enlightenment.

Fifteen artists working along the blurry boundary of music, sound, and noise launch Alt-X Audio. curator: Mark Amerika.

With his software groovebox, Trace Reddell applies the tools and strategies of the DJ to the performance of literary interpretation and critical speculation.

Paul C. Rapp, Esq., a.k.a. Lee Harvey Blotto, on the legal, cultural, and economic dimensions of the Napster controversy circa Y2K.

RVV Rob Wittig, Scriptor, fast forwards to a future when teenagers in neo-nikes and neo-soccer jerseys recreate ye olden days of the True Hip Hop Troubadour, circa Y2K.

Reviewing new scholarship by David Joselit, Molly Nesbit, Thierry de Duve, and Linda Henderson, Hannah Higgins proposes that writing about Duchamp needs to be Duchampian in flavor.

Sue Im-Lee reviews Reciting America by Christopher Douglas.

Kermani responds to LaPlante.