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Past Futures, Future’s Past

[…]Athena, patron deity of Athens, sat atop a bronze palm tree. Athens had donated it to Delphi to commemorate Athenian participation in the defeat of the Persians at the beginning of the century. For decades it had served as a reminder of Athenian democracy, ingenuity, and bravery. Its destruction would be a very bad sign indeed. Debate in the Assembly over the expedition to Sicily was heated. The war party hinted darkly that Syracuse must have bribed the oracle to concoct a story that would discourage the invasion. They dismissed the prophesy as pure propaganda. Others argued that this was […]

The Emperor’s New Clothes

[…]framework for the analysis of postmodern society but rather a “new” ontology to announce the (latest) Truth of a fractured and fragmented modern humanity. Despite her own recognition of her misuse of disciplinary terminology, Hayles ironically suggests that an act of translation across disciplinary knowledge bases is not necessary when considering the relationship of complexity sciences to the humanities. Since “an interest in disorder and unpredictability in literature analogous to that in the sciences” (xii) occurred in a proximal moment, the convergence of interests must be evidence of a singular event which shifts the singular epistemic structure from which both […]

All of Us

[…]Our drive to transcend limits fuels both the modern economic engine, and, of course, environmental and communal destruction; more important, however, it prevents us from achieving the harmony with the natural world that is the hallmark of Berry’s vision. For Smith, then, “Berry’s goal is not autonomy but grace; he wants to preserve the conditions necessary to live in harmony with the natural and social world” (205). The big question for all of us moderns, of course, is how to achieve this harmony in a world that consistently asks us to reach for more. It would seem, therefore, that Berry’s […]

Querying the Connoisseur of Chaos

[…]beyond that); what exactly the new direction he was taking Poetry was (there were copies of the latest issue on the table outside and anyone was welcome to them to decide for themselves). When the session was finished, someone from the conference accompanied Wiman out of Dodd Hall – a bodyguard smuggling him out of the conference so he would not be pelted with glares and words. This exchange proved to be the highlight of the conference, and for the remainder of the evening, folks were abuzz with what had just taken place. Had it been preordained by the organizers […]

First Person, Games, and the Place of Electronic Literature

[…]reading fiction is not the same type of passive, slack-jawed media consumption as watching the latest reality show on network television, most readers expect the work of reading fiction to be intellectual, internal, and personal. Hypertexts and interactive fiction ask readers to participate in the traversal of the text, in the operation of the text-machine. On one level, the stories told by computer games are more highly interactive than those of any other new media form: the player is usually a first person participant. Within the constraints of the given game, the way the protagonist moves, where she goes, what […]
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Michael Hardt and Antonio Negri: Irreducible Innovation

[…]Multitude. * Empire ends, “This is a revolution that no power will control – because biopower and communism, cooperation and revolution remain together, in love, simplicity, and also innocence. This is the irrepressible lightness and joy of being communist.” “Communist” is perhaps the last claim a reader expects in a book written a decade after the disintegration of Soviet Communism. Their use of “communism” is an extreme illustration of their renovations of words and concepts as part of their theory of possibility. To understand Michael Hardt and Antonio Negri (hereafter H&N), the reader must be prepared to entertain ideas of […]
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The Exemptions of Beauty

[…]the beautiful, hoping for a share of the energy made available because the beautiful does not have to labor to overcome so much resistance. Beauty which economizes on energy is experienced as an increase in the available energy.  Erotic desire occurs when another person hopes to share that energy. Falling in love is a process of granting exemptions to another person, with neither person wasting energy on resistances and refusals.  Love is the surplus energy that is not wasted putting up obstacles, averting eyes, and withholding privileges.  The moment after the resistance ends and obstacles are set aside is when […]

Virtual Realism

[…]step in and out of the fictional world when they are told a bedtime story. It may be that “[for digital] interactivity to be reconciled with immersion, it must be stripped of any self-reflexive dimension” (284), but as long as self-reflexivity is administered in a purposeful dose, it will certainly not diminish (and may perhaps even enhance) literary immersion, as readers of The French Lieutenant’s Woman will be glad to testify. Again, however, Ryan is aware of this. When she suggests in her conclusion that “[a] subtle form of awareness of the medium, then, does not seem radically incompatible with […]

The Importance of Being Narratological

[…]by contrast, raise some questions. The suggestion in the opening line of the review that “[h]ypertext has two main characteristics” is troubled by the fact that the authors do not specify what sort of hypertext they refer to here, and it is difficult to see how they justify these characteristics as “main” ones. For example, the first main characteristic is described in the following way: “[D]ifferent layers of the text are often visible at the same time, for instance when a mouse click conjures up another text.” Even if we present this description as a single characteristic (“layered textuality,” for […]

Riga Under Western Eyes

[…]was enjoying a steady inflow of cash in advance of European accession, mortgages were available to foreigners and property taxes, minimal. So I acted on a notion I’d entertained for some time, to adopt a small city on the edge of Europe, with a mild summer climate, where I could visit during the academic off seasons. When I arrived, Soviet culture was still observable in the Center, and the first post-Soviet wave of American pop music and iconography had not yet been superseded by Latin and Middle Eastern flavors. The dollar, not the Euro, was the currency referenced when discussing […]