Search results for "C_THR86_2305 Latest Study Guide 📟 Reliable C_THR86_2305 Test Sample ⌛ C_THR86_2305 Braindumps 🥈 Open [ www.pdfvce.com ] and search for [ C_THR86_2305 ] to download exam materials for free 🤲Test C_THR86_2305 Lab Questions"
| Results 61 - 70 of 1053
|
Page 7 of 106
|
|
Sorted by: Relevance | Sort by: Date
|
Results per-page: 10 | 20 | 50 | All
|
[…]hotel down the street from his White House is also a kind of casa (and for indeterminate periods [and people] a home) – not yours, though your President’s; not mine probably; overbooked with secrets censored from me just as well and with busy potential stirring the very text of this rereader’s mysterious “The Blue Hotel” (1898) out in the middle of Crane’s mysterious American nowhere. While in Trump, giant Sequoias territory about to be rented or if need be given to mining, drilling, don’t forget the sweet smell of logging. We’re to join Syria/Salvador outside the global climate. We may […]
[…]of Coimbra (Portugal), Aarhus University (Denmark), and Kingston University (UK). Its goal is to study translation of digital textuality by focusing on electronic literature in order to provide a conceptual and methodological framework tailored to the current and emerging issues surrounding translation in a digital era. The project focuses on six case studies, which pose challenges and require an innovative methodology to assure accurate and comprehensive translation. An important aspect is our practice-oriented approach, where the project through artistic and designerly approaches to translation will reflect on how software translation continues and diverges from traditional translation. This effort will lead […]
[…]and covers works from “Roda Lume” (1968) by E.M. Melo e Castro to works as recent as “⌰ [Total Runout]” (2015) by Ian Hatcher, and iOS apps created by Jason Edward Lewis, Bruno Nadeau and Jörg Piringer. While this was not the focus of Seiça’s dissertation, it would have been enriched by a look outside of the experimental tradition to explore the widespread use of kinetic writing occurring with lyric videos and kinetic typography in Vimeo and YouTube and animated GIFs circulating massively in sites like Tumblr, GIPHY, and other social media networks and recognizing how kinetic works are deployed […]
[…]On the contrary, the body and mind of the author are fully engaged with his/her writing tools, and to comprehend our writing machines, we must first consider the materiality of the physical medium, and of the writing incorporated in that medium as Katherine Hayles has taught us. Indeed, it is because digital writing is material in nature that we are able to refer to digital literature as “an aesthetic expression of materiality”. Many authors, such as Gregory Chatonsky, now defend the idea of “digital materiality”. The concepts of trace and medium are used in fields outside that of digital writing; […]
[…]change. In other words, all e-lit generations are overlapping, they co-exist, respond to and feed off one another – similar to, and perhaps as contested as, the so-called waves of feminism. In Canonizing Hypertext: Explorations and Constructions, Ensslin took inspiration from the growth of ludic e-lit that foregrounds machinic agency vis-a-vis that of the player-reader, and proposed the term “cybertext” (adapted from Aarseth) to mark a “third generation” that later led to a full-fledged theory of literary gaming (Ensslin, Literary Gaming). Subsequently, in Digital Litteratur, Hans Kristian Rustad coined the term “fourth generation social media literature,” which reflects the participatory […]
[…]data centers to cell phone antenna “trees”—reminds us to fasten our attention on heretofore ignored aspects of our media environments. Just as Lisa Parks has argued that the camouflaging of cell phone towers and related schemes “keep citizens naive and uninformed about the network technologies they subsidize and use each day,” does not the relative invisibility of digitally modeled plants and the processes and institutions that brought them into being indicate a troubling disregard for the ubiquity of computer-generated nature? To circle back again to SpeedTree, few proponents of the product have bothered to note that IDV’s co-founders all got […]
[…]a given work that might either mention one’s name or resemble another work we may have happened to download. Arguably, such notifications give us little more than a like on Facebook or Twitter; the enumeration of downloads is no more interesting than the number of “friends” we have listed on social media. We all would do well, in such instances to follow the example of Ben Grosser, whose Demetricator removes the numerical quantifications from all his Facebook pages. Nothing is lost, though it’s arguably a weight off our shoulders, and our thoughts not to have to track such enumerations, of […]
[…]to think about how to get at Grenier’s original impulse with Sentences, “to ‘stop Time’ / [and] ‘destroy the Book,’” in going reverse chronologically from the digital to the analog, seeing Sentences as an analog work with real digital possibilities and implications for the digital (“Guide,” 81). Digital remix has the potential to really up the ante on Grenier’s goal—it would demand, though, that Sentences be truly remixed, put into conversation with other works and released from the unity of its cloth-covered box into the networked, fragmentary “Read/Write” world wide web. This more radical take on digitization insists that the […]
[…]keyboard in her lap (Figure 9, left). You can see in Trina’s writing situations how physical comfort — pillows, footstools, food and drinks — are an integral part of her own writing ritual. My understanding of a writing technology prototype as the nexus between language and the body is also informed by my experience in a letterpress workshop. Amongst the letterpress printing presses and lead type stands a tall piece of furniture, a technology called a compositing table that is used to arrange lines of metal type in blocks for printing, similar to that shown on the left in Figure […]
[…]for the Web at that same time, but I didn’t know who they were. It might have been Talan [Memmott] and Davin [Heckman], and later I figured out it was Davin. But I couldn’t go to bed because it was so fun to see what everybody was imagining was happening in this space. It would be like if you imagined a big protest march with all those different dramatic things that could happen at a protest march, right? And I was like, oh my God, this is what you can do with netprov. You can really play out some fantasies […]