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[ā¦]CD for themselves. And thereās what has the music industry going nuts. If one person can buy the latest CD by, say, Sheryl Crow, and send the Big Hit on the CD to ten friends, now 11 people have Sheryl Crowās Big Hit based on a single CD purchase. If those ten friends all send the music to ten of their friends, we have a hundred and one satisfied customers. And the record company and the artist have been paid for just one CD. Now, the concept of sharing purchased music isnāt particularly new. I remember guys from my early [ā¦]
[ā¦]investment in the position of the other: āPowers could have allowed the captors [of Taimur Martin] to explain themselves and their history, the causality behind an āinnocentā Americanās captivityā (āCave Paintingsā 74). The confusion Martin experiences on his first day in Beirut never lifts; the otherness of the world outside America persists. LeClairās criticism makes all the more sense considering his own investment in the plight of the Kurds. Though hampered somewhat by the thriller formula, Well-Founded Fear is driven by what almost seems a muckraking impulse, a genuine sense of outrage and a desire to raise the readerās consciousness [ā¦]
[ā¦]par la MathĆ©matique et les Ordinateurs), but that there exists a literature tied intimately to computer technology. This is why the journal was initially designed to foster a complementarity between printed and digital media (through floppy disks, then through CD-ROM). In each of its first ten issues, everything that had been published in print came in chapbooks accompanying the disks, containing static illustrations and theoretical articles. Soon, the journal radicalized itself and the illustrations disappeared, leaving only the theory articles. Until now, even with software texts, no print publication existed which could also deliver programs or edited hypertexts to the [ā¦]
[ā¦]fold-out of what is now reproduced in black-and-white inside- The [Prose Of The] Trans-Siberian [And Of Little Jeanne Of France], the [Sonia] Delaunay amp; Blaise Cendrars work originally conceived amp; done as a fold-outā¦ Rothenberg: It was a professional publication for the print trade [FINE PRINT] that in one issue had a nice fold out of The Trans-Siberian. We went to UC Press and said, ālook, letās have this fold-out.ā And they gave some consideration to it, but it would have cost such and such, and I guess they couldnāt or they wouldnāt raise the extra money specifically to do [ā¦]
[ā¦]Timesā last week, where robotics researchers at MIT were being interviewed about their latest generation of robots that can learn. These robots are discussed in terms of these universalist categories ā human and machine ā and neither machine nor human get the kind of situated material-semiotic analysis that asks: What kind of relationality is going on here and for whom? What sort of humanity is being made here in this relationship with artifacts, with each other, with animals, with institutions? How do you move out of the universalist category to the situatedness of the actors, both the human and nonhuman [ā¦]
[ā¦]to silicon, from the earthenware to software. Stated more baldly, the new physiocracy isĀ just latest form of the Enlightenment dream, to turn nature into instrument. Still, there does seem to be one little difference: Bacon claimed that āToward the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within,ā meaning that instrumental knowledge depended on an understanding of ā but, ultimately, adherence to ā natureās rules. The new physiocracy adds this addendum: āand now we can change the rules.ā The new physiocracy is largely [ā¦]
[ā¦]for some time, the last gasp happened the day Samuel Beckett changed tense [Dec. 22, 1989 ā BMcH] and joined the angels, I can give you an exact date if you want to, postmodernism died because Godot never cameā¦ [ā¦] It was sad to see postmodernism disappear before we could explain it, I kind of liked postmodernism, I was happy in the postmodern condition, as happy if not happier than in the previous condition, I donāt remember what that was called but I was glad to get out of it, and now here we are again faced with a dilemma, [ā¦]
[ā¦]design strategies. Rather, it is a bottom-up expression of how the players choose to perceive, and to communicate to others, the novel power dynamic of the games they are playing. (ibid., 253) This is where the difficulty of the designer-academic enters the picture. If āpuppet masterā is a player-conceived power relationship, The term āpuppet master,ā it should be noted, is not necessarily regarded anymore as a power dynamic. ARG player āKonamouseā recently explained the history and current perception of the term: āThe term Puppet Master harkens back to the start of ARGs when it was felt the game authors were [ā¦]
[ā¦]a way, unlike capitalismās way, to regard the world as a world. Second: Kleinās inclination is to search for her metaphor in the realm of human manufacture: not fish, fleas, and spiders but fences, windows, and computers (spokes and hubs are really sentimental craft analogies of websites and links). Newmanās āfountain,ā on the other hand, is a sort of human visualization of the counterpoint of water power and gravity. This retrospect towards nature as opposed to Kleinās vision of activist cyberspace will have repercussions. And third: Newman wishes us to imagine his fountain as located at the center of the [ā¦]
[ā¦]such suggestions put forth by the Association of American Universities as a way to āreinvigorat[e] the Humanitiesā. Interestingly, it appears before the recommendation for āsustaining . . . book publishingā and below the suggestion to āemphasize to . . . the broader community the fundamental importance of the humanitiesā (iv), suggesting, perhaps, an emphasis on digital texts as a way for the Humanities to attract the growing number of technology-savvy students and supporters. The Humanities needs invigorating. A 2002 publication by the MLA Ad Hoc Committee on the Professionalization of PhDs entitled āProfessionalization in Perspectiveā reports that new PhDs in [ā¦]