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[…]She visited relatives in Kenya, but Canadian officials would not let her board the plane home to Toronto because they said she did not look like her passport photo; in particular, they claimed that “the lips are different”. Although she gave convincing evidence of her identity, the Canadian authorities would not accept that she was telling the truth, and she was unable to return to Canada for several months. Using her characteristic second person voice, Smith invites us to consider what the experience was like for Mohamud: Have you ever been interrogated at an airport? it doesn’t take long before […]
[…]available, and of the range of public spaces in which Gaddis’s work is discussed. It is a chance to examine Gaddis in a different position in the culture than he had inhabited before. It can help establish where exactly we find him, at his centenary. In fact, this is the first of two immediately post-centenary collections of work on Gaddis. The other in-progress collection of academic papers aims to propose and establish new understandings; the present special issue focuses, through a wider variety of genres, on expanding our knowledge. The focus here is on new information about Gaddis and about […]
[…]their spare time whenever. Ali Chetwynd: Then before we get on to Jeff and Victoria I just wanted to come back and ask Chris and Edwin: Chad just mentioned some of the other authors that have been important to the Two Month Review, so apart from Gaddis who have been other authors that you’ve had especially interesting or valuable responses and interactions with your audience about? Chris Via: Oh, I can say right off the bat it would have to be foremost William T Vollmann. I think Vollmann is probably my favourite living American author, hands down, and I did […]
[…]be deleted; tenses and grammatical categories may switch. […] Pronouns are totally up for grabs. [And t]hough the practice is discouraged, extra words may be inserted, cautiously and sparingly, mostly for rhythmic purposes” (“Cunt Norton”). Jordan Abel, similarly, describes taking cut-up materials from The Last of the Mohicans and “writing over them, writing through them, writing around them and writing with them” to produce his book 2023 Empty Spaces (Nishga 263). However, we wanted to get the AI to follow all the steps of the cut-up process. We therefore insisted, with a strongly reinforced prompt, that it only use words […]
[…]while in the industrial economy the “worker tried to achieve fulfillment through leisure [and]… was alienated from the means of production which were owned and controlled by someone else,” in the digital economy the worker achieves fulfillment through work and finds in her brain her own, unalienated means of production. Such means of production need to be cultivated by encouraging the worker to participate in a culture of exchange, whose flows are mainly kept within the company but also need to involve an “outside,” a contact with the fast-moving world of knowledge in general. The convention, the exhibition, and the […]
[…]Act. Unfortunately, he lost the case. The reasons for the defeat are delineated in Lessig’s latest book Free Culture, a synthesis of recent popular thought on copyright. The central claim of Free Culture is that in the past decisions could have been made that would have both stunted (or destroyed) major technological industries and unnecessarily infringed upon the public domain. Fortunately, congress reacted to new technologies with only slight changes to copyright law, thereby helping to preserve a vibrant public sphere. However, with the pervasive influence of the Internet, Lessig believes that now the scales are being tipped against individuals […]
[…]issues of more than artistic inheritance. Bluntly put—these books are about money. Una lives comfortably from Ahab’s estate after his death. Naslund has used his name and Melville’s cultural capital to make her novel a Book of the Month Club selection. Serres notes that parasites in fables exchange talk for food. Ahab’s Wife feels designed to be a bread-winner. Una says that “in the fairy tales of monsters and men, the man prevailed” (183). In Naslund’s tale, woman prevails and profits. a skirmish with lolita Pia Pera’s Lo’s Diary was first published in Italian in 1995 and was translated into […]
[…]rules. The diagram shown here describes a finite automaton that accepts strings of the form [b]*a[b]*a – any number of “b’s” (including 0) followed by “a” followed by any number of “b’s”(including 0) followed by “a.” Note that the possible paths through a static Web site with five pages, each offering at most two sorts of link, can be conceptualized with a very similar diagram – with the same diagram, in fact, appropriately labeled. Hypertexts of the sort that typify the category – whether crafted in HTML or various proprietary environments such as the Microsoft Help Workshop or Eastgate’s Storyspace […]
[…]history of science and reintroduced it into our language by emblazoning it across the cover of his latest best-seller, Consilience: The Unity of Knowledge. In this book, Wilson offers to unify the “two cultures” of literature and science for once and forever, as “the way to renew the crumbling structure of the liberal arts” (12). It is an offer many of my colleagues find attractive, for Wilson carries enormous authority both as a natural scientist and as an eloquent speaker for the environmentally appealing concepts of “biophilia” and “biodiversity.” He has well-nigh captured the Thoreau Society: for example, in June […]
[…]in the domain of cyber-activity, this still means a predominantly white, male, relatively comfortable demography. The persistence of this underlying model of subjectivity is made slightly more complex, though, as it is inscribed in a division in IN.S.OMNIA discourse between giving up the stable world and self, and retaining a sense for the power of the individual cultural user. “Network communities” are not portrayed as viable political alternatives, but seen as play-spaces where the on-line person splits into a virtual and actual person, in two worlds and being two selves at once. The rather celebratory discourse of multiple selfhood is […]