postmodern

On Amy Elias's view of fabulation in the moment of American corporate power, a postmodern novelistic aesthetic that is consistent with Sir Walter Scott's early nineteenth-century mix of romance and Enlightenment-inspired historiography.

"Dispersion" is a short-story by Rob Swigart.

Bruce Clarke reviews the new translation of Grammophone, Film, Typewriter, a requiem and good-riddance for the era of so-called Man.

In the triad of Verso pamphlets on 9/11, Nick Spencer sees a convergence of postmodern critique (against the capitalist culture of postmodernity).

Contrasting Lynne Tillman's text with the "complicitous critique" of Donald Barthelme and other postmodern ironists, Sue-Im Lee argues that Tillman's narration displays the "mobility" of Adornian cultural criticism, in which contradiction is not a problem but a mode of interrogating the present.

Shirin Shenassa situates Roman de la Campa's Latin Americanism within the critical discourses of the world's metropolitan centers and introduces a new thREAD into ebr's Internet Nation series

On a posthumanism potentially worthy of the name.

Richard Kalich's latest protagonist is Richard Kalich, but one critic views this postmodern occupation of the novel as an opportunity - even an encouragement - to forget about him.

Jan van Looy reviews Silvio Gaggi on hypertext fiction up to the early '90s.

Sven Philipp on Cosmopolis and what seems to be a new stage in the critical reception of DeLillo.