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Delete the Border!

[…]is one of the only ways in which young people can make a “fine” living. Polleros: organized groups in charge of the exportation of a Mexican cheap labor force into the USA. Their activity is treated as if highly illegal, although it is obvious that these persons are structurally permanent within the system. A few years ago their primary methods consisted of crossing people through the desert, but they have evolved in many ways, particularly the use of technology to make false ID papers. Students: kids who decide to spend extra time commuting in order to get a U.S. education. […]

Positioning Hypertext in Chomsky’s Hierarchy of Grammars

[…]has some papers that are relevant here also; see for instance Cayley, John, “Pressing the Reveal Code Key,” EJournal, Volume 6 Number 1, 1996, http://www.hanover.edu/philos/ejournal/archive/ej-6-1.txt. . * * * Finally, concerning Markku Eskelinen’s pronouncement that “Hypertext is Dead”: this is a particular manifestation of a widespread phenomenon I call Postism. Postism is the compulsive desire to measure where you are by what you are leaving behind. It is a view of life through the rear view mirror. Speaking personally, the only form of postism I find useful is post-postism. Speaking as a certified card-carrying ghost, I am reminded of Cage’s […]
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The Avant-Garde and the Question of Literature

[…]historical specificity, its present fix. A second confusion has to do with the avant-garde’s uncritical enthusiasm for any and everything that calls itself innovative, regardless of an “innovation’s” sterility, irrelevance, or just plain stupidity. Cavell speaks of this tendency as the avant-garde’s “promiscuous attention” to newness, a phrase intended to suggest both indiscriminate coupling and infidelity. The idea is that the avant-garde habitually conflates novelty with change, imagining that artistic advance results from mere unconventionality, from difference as such. Call this the “farther out than thou” syndrome. And the third confusion is a tendency, already implicit in the avant-garde’s military […]
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Welcome to Baltimore

[…]that more enemies were attacking in front…But when the shouts grew louder and nearer, as each group came up it went pelting along to the shouting men in front, and the shouting was louder and louder as the crowds increased. Xenophon thought it must be something very important; he mounted his horse and galloped to bring help forward. As he rode he heard the soldiers shouting “Sea!” “Sea!” and passing the word along in waves. Derrida Consumed by Crabs 1966. Derrida arrives in Baltimore, twenty-nine city blocks north of where we are now, to deliver, for the first time on […]

Reverberation: Writing as a Visual Medium and the Sight of the Avant Garde

[…]impulse, as well as by the hybrid forms emerging from women writers of radical representation working today. The methodological field which I would like to project has at its center a reading body. In place of citations I have cast quotes from others as reverbs within the play of the text. Reverb Gertrude Stein: The only thing that is different from one time to another is what is seen and what is seen depends upon how everybody is doing everything. This makes the thing we are looking at very different and this makes what those who describe it make of […]
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Mimicries

[…]Yet my point of contention is that Jaffe’s solution to this crisis, his attempts to illustrate critical, cultural resistance when reading a text – and then seduce the reader into doing the same – only works if and when the reader is made aware of the political underpinnings of his quite strategic textual moves, and the stories in this collection (what can rightfully be described as the articulation of his ideology in a fictional form), do not reveal enough about the author’s intentions to carry their desired weight, to produce any sort of ideological effect at all. The stories written […]

The Politics of Information (Part 2 of 5)

[…]of removing from cognition itself “the multiple, variant approaches to social reality encoded in the many thousands of human languages over time.” Similarly: Matt Kirschenbaum ‘s study of the rise and fall of VRML provides a focused instance of the linguistic and cognitive paucity of actual networked experience. As Paul Smith observes, the process of global capitalist dominion produces a “third world” within the First, and a “first world” within the Third, a southern hemisphere of “underdevelopment” within the borders of industrialized liberal democratic Northern-hemisphere nations, and a slice of northern-hemisphere liberal democratic lifeways in the global South. This means, […]

Histories of the Present

[…]in larger rivers or split into deltas. (34) Cultural and technological convergence requires critical and theoretical convergence and the above passage is a kind of manifesto in miniature for Culture and Technology. Its supple and interlacing critique makes a decisive incursion into the philosophy of the contemporary. What at first appears to be a review of familiar debates, theorists, and ideas converges into applied analyses of the signature themes associated with cyberculture. But even here, discussions of digital art, virtuality, cyberspace, and the networked society extend previous and ongoing academic discussions to a broader, meta-critical space, in which cybercultural concepts […]

PMC editor Stuart Moulthrop responds

[…]let this pass. Commerce is commerce. From Adobe to Chank Diesel, most creators of typefaces were working in the commercial sector when last I looked. I fail to see how banner advertising protects the “free” status of electronic publishing. By this analysis, network television is “free.” Felix tasks me particularly for not providing “a specific economic framework for… new media paradigms.” This too is perplexing, since it seems that Felix’s entire critique stems from his objection to a very specific economic framework – access to electronic texts by subscription. To be sure, Felix does not like the model I advocate. […]

Shadow Dance

[…]and the journal will also be, in large part, a review of electronic books: CD-ROMS, hypertexts, critical art ensembles, archived talk lists – whatever comes to be written (and not just typed and slung around) in digital and electronic environments. So yes, this suggests that ebr, in title and in spirit, does like to have it both ways. In the contour essay, I can say that my attempt was to speak more as a contributor than as an editor. Regardless, these remarks by Tabbi constitute “the casting vote.” [For more on ebr ‘s evolution, in particular in contrast to that […]