Todd E. Napolitano on the kitsch of on-line journals, most of which have flashed and disappeared since they were panned here, in the Fall 1996 ebr.

Greg Dyer steals glances at women('s) writing on the World Wide Web.

August Tarrier reviews the 1994 film, Bad Girls.

Joe Amato on the Social Text controversy.

The postfeminist issue of ebr was the first to use visual art as a means of navigation as well as illustration.

George Landow reviews Patchwork Girl by Shelley Jackson.

Having women in power won't automatically make for caring, sensitive environmental policies as Stacy Alaimo implies in her review of Carolyn Merchant and Val Plumwood.

Elisabeth Joyce reads Howe as a postfeminist Thoreau facing the dilemma that 'to inhabit a wilderness is to destroy it.'

Martin Rosenberg discusses Kiki Smith's feminist visual art and cognitive science.

Matthew Fuller on The Cyborg Handbook.

Christopher Knight on Stanley Fish's Professional Correctness.

Lisa Joyce critiques the rash of historical fiction by women, circa 1996.

Cris Mazza sends in her introduction to the follow-up volume of Chick-Lit, No Victims.

Michael Bérubé responds to the respondents in Selling Out (Spring 1996).