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[…]misunderstanding of the significance of holograms.) Consequently, in tone the book sits somewhat uncomfortably between scholarly academic work and the type of vague theorising often propounded by new-age gurus. One gets the sense that Jackson would quite like to be seen as a guru, especially during his “riffs.” But although these sections may perhaps be treated as creative writing, even in sections that maintain a relatively steady academic stance, there are lazy factual errors. What, for example, are we to make of this: Comprehension (understanding of meaning) and comprehensiveness (wholeness of the One) are intertwined. From one confused point of […]
[…]interactor must think of the right questions to ask, the right places to hide, and the right areas to search. The player certainly may feel fear and disquiet in sympathy with the player character, but it is hardly necessary that the interactor take on the role of Michael’s wife in any dramatic sense. While my focus here is not on graphical adventure games, these have player characters as well and this discussion should apply to the way the interactor and the player character relate in those games. Whether the game provides a player character who is a nameless blank, as […]
[…]the mostly-fictional creation of Keever’s literary wife, Ann. In the present, Keever is trying to come to terms with his degeneration from sports hero into physically handicapped suburban dad. Driving around in his company van, a “tomb on tires” (11), he feels like he has joined the living dead. Indeed, with his artificial hip, a steel rod hammered into his femur, he is already partially inanimate. This liminal status makes him an appropriate guide for the pilgrims he ferries throughout America and Europe. Much of the novel unfolds as a series of vignettes about these pilgrims, who try to confront […]
[…]Gardner’s commentary: “How Gerard Manley Hopkins would have loved to have had a typewriter to compose on!” (230). What Hopkins’ poem is foregrounding here is a fundamental devotion to being-with-artificiality that is open and expansive rather than limiting, “even” before the wide-spread use of the typewriter (although Walter Ong has argued that the style of Hopkins’ “The Wreck of the Deutschland” [1876] was affected by the telegraph [Ong 48]). Hopkins is being looked at here because his path towards essence was both about zeroing in (in terms of individual diction and syntax) and spreading out. Part of Hopkins’ search for […]
[…]speech. The Dean game was launched during Christmas week 2003. Players were able to play it for free on the candidate’s web page. It was very successful in terms of audience: it reached 100,000 plays in the month before the Iowa caucus, a very respectable number considering its novelty and the fact that it was launched during the holidays. Designing the game was quite a challenge. Even though we both were experienced game developers, nobody had tried anything like this before. The web was plagued with satirical amateur Flash games, but we faced many difficult questions: how do we tailor […]
[…]office allow content to become more complex than was evident in MOOs or MUDs? If the key to compelling storytelling in a participatory medium lies in scripting the interactor, the challenge for the future is to invent scripts that are formulaic enough to be easily grasped and responded to but flexible enough to capture a wider range of human behavior than treasure hunting and troll slaughter. (Murray 1997, 79) Will we ever, at some future time, be able to consider the word “author” (below), to mean any and all participants in a virtual text-based scenario? [P]lots would have coherence not […]
[…]today. The dominant one is corporate-sponsored gee-whiz hype about the future and is the latest installment in the rhetoric of the technological sublime. Leading academic discourses include the postmodern thrill or horror (or both) about the post-Gutenberg or posthuman possibilities of media, the tale of the decline of print culture and the rational public sphere, and the praise of popular resistance. After Kittler and the work done by many others, such ways of understanding media seem inadequate. In George Eliot’s Middlemarch, perhaps the greatest nineteenth-century novel not written in Russian, the decrepit scholar Casaubon collects notes for his magnum opus, […]
[…]scale levels: an individual life, a life lived within and in relation to friends and family, to community, to bioregion, to nation, to the planet. Thus in “Economy,” the first chapter in Walden, he challenges his reader to connect their particular and individual consumer choices with the emerging global capitalist economy of America. Perhaps best known is the linkage he makes, in “Civil Disobedience,” between small-scale individual actions and the large-scale political state. When the civil State asks you to carry out its dirty work by propagating injustice to others, you should revolt by simply withdrawing your consent – “not […]
[…]perhaps even formative or determinant for the future. Anthologies serve – or perhaps seek – to form canons (in literary, critical, and popular domains, among others); to structure pedagogy and research; and to shape intellectual history in any number of other ways, seen and unseen, materially, cognitively, and epistemologically. This tension, which we might see at work in any number of fields, is particularly fraught for media studies. Critical anthologies within media studies necessarily raise questions of temporality along two axes, namely in terms of the institutional and the material parameters of the field. Around the turn of the twenty-first […]
[…]either the beauty of pristine wildernesses or the incredible ugliness of ruined land? LOE: The latest postcard that I received from CLUI, is advertising their latest exhibit is called “Urban Crude: the Oil Fields of the Los Angeles Basin.” The photograph is of an oil rig on a hilltop street that looks like Mulholland Drive. Just by the mere fact of using that photograph as the postcard, I think, is telling. At the same time, they’re claiming they’re not making political statements – rather they claim they are just offering documentation. I find that to be fascinating and pretty effective. […]