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[…]the particular malady. I was unable to locate any pop-up markers that read anything other than “[#] Days Ago. [Illness] reported.” This text suggests that the cloud is the result of a user reported condition, though it is unclear whether the app counts data harvested from a social media mention as a “report.” The callouts contrast sharply with red “flag” markers showing the locations of Walgreens drug stores. As the user moves around the map, blue callouts “rain” from the top of the screen in a steady stream and land on the appropriate spot on the map. The more reports, […]
[…]they are what I think, I say them as a way to make sure they are no longer what I think. […] To be really certain that from now on, outside of me, they are going to live a life or die in such a way that I will not have to recognize myself in them” (Claris). In this gesture, one gives life to one’s thoughts in language so that such thoughts may live on (or die), in effect, separate from and even unrecognizable to their thinker (an added irony here of course is that the sentiments in question are […]
[…]them, Chang suggests that the term “media ecology” itself has the potential, although heretofore unrealized, to position “nature and culture in a nonhierarchical, or at least ambiguous, relation.” Throughout this essay, Chang offers site-specific, concrete counters to a media theory that would divorce natural features from a media ecology, not in order to obscure the relation between technological detritus and vulnerable natural environments but, on the contrary, to bring it into relief. Chang argues that “the EPA’s online tools and documents work to make visible governmental scrupulousness in addressing hazardous waste,” and, hence, “demonstrate that media are contiguous with, not […]
[…]disregarded if not erased. Harsh oppression leads to revolt, and soft, insidious oppression leads to compliance. It is in this paradoxical gray area where the coercion of capital thrives. This soft power is evident in the experiments above, at the various levels of control in the environments of work, school, and other forms of institutional life. It is “sewed to the wind” through communication networks, where as one listens, watches, clicks, or comments, one has the sensation of decisions being made through them. Even when confronted, in earnest, that our choice has been switched before our eyes, that Donald Trump […]
[…]friend in Leonie, the orphan girl from the bookshop. Leonie feeds Harriet, gives her the comfort of an attentive ear, and finds her a job in the library, a position she herself would have liked to have, had she had School Certificate. Harriet expresses her gratitude in a way that is innocent, unsophisticated, and childlike: ‘Thank you, thank you,’ Harriet burbled to this amazingly generous girl who had not only found her a job but who was a character referee as well; this girl who had been prepared to do this thing even at the expense of her own heart’s […]
[…]of the “mechanic arts” (16-19). In the late 20th century, he writes, we find that “[b]y virtue of its relative abstractness and inclusiveness, its capacity to evoke the inextricable interpenetration of, for example, the powers of the computer with the bureaucratic practices within large modern institutions, ‘technology’ (with no specifying adjective) invites endless reification” (18). Marx’s concern is primarily with the link between this nebulous conception of technology and the “pessimism” that grows out of the postmodern era, and the relationship he frames is, for the most part, an adversarial one. But there are other ways to look at it. […]
[…]looking for quantitative statistics related to research employees’ overall “impact factor” and to time-pressed and post-PTSD full-time and adjunct faculty members raised and perhaps fueled by comparative, and particularly, percentile rankings, Academia.edu clearly understands its target audience. Further, as a privately held company, Academia.edu is not required to disclose any financial records and how the company is generating or plans to generate revenue is a work in progress. However, possibilities for monetizing its very rich and freely donated content, which, aside from information about its ever growing user base, currently totals 16.9MM “academic” papers, range from the highly ambitious plan […]
[…]Listeners”, which was built using Amazon’s Alexa Skills Kit (ASK). According to Amazon, “[T]he Alexa Skills Kit is a collection of self-service APIs, tools, documentation and code samples” that users can use to teach new skills to Alexa. Once a given skill is programmed, to invoke it one needs to start the conversation using the wake word ‘Alexa’, followed by ‘ask’ and the skill name, in this case, “The Listeners”. Cayley notes that “there has been a significant increase in the reading of audio books over the past decade. (…) there has, therefore, been a significant increase in the appreciation […]
[…]grammar is governed by rules that are almost mathematical in their strictness” and that “[g]iven the words, and given the sense of what is to be said, then there is only one correct order in which those words can be arranged” (Dahl 2001, 7). He then comes to the realization, triumphantly, that “the electric computer could be adjusted to arrange words (instead of numbers) in their right order according to the rules of grammar” (7). Once fed with plots, the “fastest electronic calculating machine in the world” (3) can churn out stories at ease, and Knipe and his employer, Mr […]
[…]organized firing in the early visual cortices to reassemble the pattern that caused them to form in the first place through perception. The reconstituted pattern does not recreate the sensation of seeing the object in question, but only an approximate of that object. The reason for this is that in the case of perception there is more data supplied to the topographical pattern in the early visual cortices derived from the stimulated senses than there is in the recall through dispositional representation. This means that there is a striking similarity and physiological common-ground between perceived and imagined objects. The key […]