Between the manifesto and the treatise, the text and the paratext, the theoretical and the poetic, the aphoristic and the systematic: Manuel Portela situates the "expressive richness" of Johanna Drucker's "General Theory," and its critique of present social and political formations.

digital futures of literature, theory, criticism, and the arts

.modern-footnotes-list, .modern-footnotes-list-heading { display: block !important; } .modern-footnotes-footnote { color: black; width: 200px; padding: 3px; margin-right: 5px; font-weight: bold; border: 2px solid black; font-size:. 8em; } .modern-footnotes-footnote__note, .hidden-originally { display: inline-block !important; font-weight: normal; border: 1px solid black; font-size:.8em; font-style: italic; } .pop-comment, .comment-content, .sidebar, .sidebar-primary, .widget-area, .featured-essay-img { display: none !important; } .other-author-view { display: block !important; } .essay-author-name { display: none !important; } .essay-excerpt { font-style: italic !important; } .rt-side-poem { width: 300px; float: right; font-style: italic; font-size: .7em; line-height: 1.3; white-space: pre-wrap; text-align: center; padding: 10px; margin: 20px auto; background-color: white; }