2001
Mark Hansen responds to Linda Brigham's review of Embodying Technesis: Technology Beyond Writing.
In her Sonic Spectrum survey, Elise Kermani invited readers to locate sounds on the spectrum from noise to sound to music. Here, Skip LaPlante responds with an autobiography in music, sound, and noise.
noise poem: Raymond Federman. audio recording and production: Eric Dean Rasmussen and Shaun Sandor
Jeff Parker contributes to the ongoing debate on electropoetics and invites readers to post their own link types and descriptions.
Paul C. Rapp, Esq., a.k.a. Lee Harvey Blotto, on the legal, cultural, and economic dimensions of the Napster controversy circa Y2K.
Lance Olsen reviews hypertext writing, past and present, by Robert Arellano.
Sue Im-Lee reviews Reciting America by Christopher Douglas.
Reviewing new scholarship by David Joselit, Molly Nesbit, Thierry de Duve, and Linda Henderson, Hannah Higgins proposes that writing about Duchamp needs to be Duchampian in flavor.
Linda Brigham works through Embodying Technesis by Mark Hansen.
With his software groovebox, Trace Reddell applies the tools and strategies of the DJ to the performance of literary interpretation and critical speculation.
Elizabeth Wall Hinds reviews Andrew Miller's first novel, Ingenious Pain, winner of the James Black Memorial Fiction Prize and the 1999 International IMPAC Dublin Literary Award.
Linda Carroli reviews Michael Joyce on networked culture, whose emergence changes our ideas of change.
The msn thread originated in the Fall of 2001 as an ebr special co-edited by Cary Wolfe, Mark Amerika, and Joseph Tabbi.
Fifteen artists working along the blurry boundary of music, sound, and noise launch Alt-X Audio. curator: Mark Amerika.
Reflection on the two titans of entertainment and enlightenment.
Reflections on Red/Yellow/Blue in the context of Music/Sound/Noise.
Claire Rasmussen on geography and the social theory of Janet L. Abu-Lughod, Mike Davis, and Edward Soja.
Allison Hunter writes on Douglas Kahn, a modern musicologist who takes in the noise of modern battle, recordings from the tops of trains and the interiors of coalmines, and the musicality of undigitized everyday noise.
Steffen Hantke on Tom LeClair's and Richard Powers's novelistic imaginations of terror.