1996
Joseph McElroy shares field notes and reflections from Mount St. Helens.
Andrew McMurry reviews John Livingstone's Rogue Primate: An exploration of human domestication.
An art installation as much as an "issue," the original site for ebr4, Critical Ecologies, used variations on a concrete poem by Daniel Wenk to guide readers through the "green" and "gray" essays. Another innovation was the introduction of the riposte section.
Thomas Cohen on ecotourism in Bolivia and discovering the post-humans of the past.
Martha Henn reviews Technologies of the Gendered Body: Reading Cyborg Women by Anne Balsamo
Paisley Livingston on Stanislaw Lem and the history and philosphy of Virtual Reality.
Todd E. Napolitano on Going Gonzo: Following the Trail of the WWWench
Paul Harris hybridizes the terms of hypertextual discourse and takes it to a higher power.
Toward a definition of a postmodern genre: the field-novel.
Piotr Siemion discusses Infinite Jest by David Foster Wallace
Michael Wutz reviews Bruce Clarke's Dora Marsden and Early Modernism: Gender, Individualism, Science
Sandy Baldwin on music in the new media ecology.
De Witt Douglas Kilgore reviews Stanley Aronowitz, Barbara Martinsons, and Micahael Menser's Technoscience and Cyberculture (1996).
August Tarrier reviews the 1994 film, Bad Girls.
Dodie Bellamy gets to the "dirty parts" of contemporary fiction.
Martin Rosenberg discusses Kiki Smith's feminist visual art and cognitive science.
Having women in power won't automatically make for caring, sensitive environmental policies as Stacy Alaimo implies in her review of Carolyn Merchant and Val Plumwood.