Search results for "critical%20code%20studies%20working%20group"
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[…]between its memory and the possibilities of loving and thinking, here and now, animates a certain critical energy. This Provincetown of memory is a place of oceanic freedom. Going to the movies, sometimes with her mother, sometimes alone. The resource that is cinema, for the young: “Everyone thinks desire is make believe when it comes to famous people and movies. In that case, you can go all the way. Go for it.” Young Masha rides her bike around everywhere, with a headphone sound track, cruising with a kind of tomboy autonomy. “I was being the kind of boy I wanted […]
[…]“Without a high degree of ‘existential redundancy’–the constraints of the specific code of communication, codes of behavior, particular lexicons, contexts, intentions, the actual relationship between the sender and receiver, and so on—there is no signification.” (234) Information is not concerned with the systems (sender and receiver), which process it. Meaning, on the other hand, is. Thus, information is necessary for signification, but not sufficient. Tan Lin’s Plagiarism/outsource: notes towards the definition of culture : untilted Heath Ledger project : a history of the search engine : disco OS, which nominally concerns itself with the death of actor Heath Ledger employs […]
[…]through evacuating its inherent emotional intensity. How can writing that seeks to maintain a critical distance adequately, or accurately, she asks, express or contain engagements with affect? While Houser does not discard critical distance, she rightly insists that we “must take methodological inspiration from the literature we analyze and bring different ways of knowing—from scientific experiment to embodied feeling—to bear on each other. Following this procedure, interconnectedness becomes method and not only theme or aspiration” (224). Throughout Ecosickness, Houser (re)incorporates language, which is alternately coded as scientific or affective, in order to undo the false dichotomy between reason and emotion. […]
[…]2014. Derrida, Jacques. “The Animal That Therefore I Am (More to Follow).” Trans. David Wills. Critical Inquiry 28.2 (Winter 2002): 369-418. Elias, Amy J., and Christian Morau, eds. The Planetary Turn: Relationality and Geoaesthetics in the Twenty-First Century. Evanston, Il: Northwestern University Press, 2015. Herbrechter, Stefan. Posthumanism: A Critical Analysis. London and New York: Bloomsbury, 2013. Margulis, Lynn, and Dorion Sagan. What Is Life? Berkeley and Los Angeles: University of California Press, 2000. Nealon, Jeffrey T. Post-Postmodernism: or, The Cultural Logic of Just-in-Time Capitalism. Stanford, CA: Stanford UP, 2012. Spivak, Gayatri Chakravorty. Death of a Discipline. New York: Columbia University […]
[…]writing technology materially dependent on the interfacing of physics and mathematics (matter and code) that enabled a cascade of symbolic processes from the writing symbols through programming languages through machine language through differential voltages, and back. He conceptualized this double nature of digital code as an expression of the tension between forensic materiality and formal materiality. Screen presentation, data models and programming are formal material instantiations of processes that also have a forensic material instantiation at the nanoscale of magnetic processes. It is the allographic nature of code that enables it to represent multiple symbolic systems and multiple media materialities. […]
[…]about when the words disappear and the story space becomes immersive, but this assumes certain codes in the narrative that make for a smooth delivery. By contrast, modern and postmodern works of literature and film complicate the reader’s access to narrative space, either by limiting immersive possibilities or by using techniques to activate mental activity outside or parallel to the narrative space. We don’t have a word to properly describe the cognitive space of the reader, the way a text triggers personal trails of thought and imaginary possibilities of an emerging fiction. In Terminal Identity, Scott Bukatman compares the de-narrativized […]
[…]Cited Appiah, Kwame Anthony Appiah. “Is the Post- in Postmodernism the Post- in Postcolonial?” Critical Inquiry 17 (Winter 1991): 336-57. Borges, Jorge Luis, “Kafka and His Precursors.” In Other Inquisitions 1937-1952, trans. by Ruth L. C. Simms. Austin: University of Texas Press, 1964. Nealon, Jeffrey. Post-Postmodernism or, The Cultural Logic of Just-in-Time Capitalis. Stanford: Stanford University Press, 2012. James , David and Urmila Seshagiri. “Metamodernism: Narratives of Continuity and Revolution.” PMLA 129 2014: 87-100. Sukenick, Ronald. The Death of the Novel and Other Stories. New York: The Dial Press, […]
[…]article…it circulates, it influences a field in the making even if it’s like William Gaddis studies, say, and then five or six years later it counts towards your tenure… SR: And that’s how they’re able to hold researchers hostage… JT: …that’s where they economize something that’s an autonomous activity for a not for profit guild type of corporation, which is what the tenured professoriat is: and that’s now being economized. SR: And then they can control tenure. They control and profit from tenure and that’s the problem, right? So, I’m thinking of those alternative structures and they can, even be […]
[…]at ebr/altx, we’re ready to put an end to the construction of periodical issues. Instead of working within an unconsidered paradigm inherited from print media, the ebr editors intend to construct our own ends, over time and on terms that we set for ourselves (within the constraints of the web […]
For many who are committed to working in electronic environments, an electronic “review” might better be named a “retrospective,” a mere scholarly commemoration of a phenomenon that is passing. There’s a technological subtext to the declining prestige of authors and literary canons. To bring that subtext to the surface will be part of ebr’s […]