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[…]more individualistic and disruptive energies. After all, as Mark Edmundson points out, “[l]iterary criticism in the West begins with the wish that literature disappear. Plato’s chief objection to Homer is that he exists” (Literature Against Philosophy, Plato to Derrida: A Defence of Poetry [Cambridge, 1995], 1). Nor have the relations between criticism and literature much improved since, as even the most casual glance at the present-day literary scene will testify. What could a contemporary author do but shudder upon hearing de Man, after deconstructing a passage in Proust, declare: “The whole of literature would respond in similar fashion…” (The Allegories […]
[…]they were there, and sometimes for the very reason of their simplicity or ‘slowness’: the tortoise, the qwertyuiop keyboard, DOS. The Web was a brilliant innovation, but it took over at least in part because it was a protocol that was ready to provide transparent information exchange within an existing narrow bandwidth. Now the corporations want to ‘push’ higher-bandwidth content while the hypertext community still dreams of enriching our structures. The good news is that the research will continue and there will also, I believe, be deep cooperation on both ‘sides’ of this particular divide. As John Smith suggested, what […]
[…]present everything the author said and heard being said over the period between February 7, 1993 and October 20, 1996, in a mode that carries Finnegans Wake to certain logical conclusions. In other words, despite his search for “necessary selection,” Moretti seems to assume that selection moves in a straight line: the successor of Ulysses must be another “novel,” however different. It is this expectation that made me conclude – wrongly perhaps – that Moretti is nostalgic for nineteenth-century literary paradigms. The thesis seems to be that evolution can only mean spatial reorientation (to the Latin America of Garcia Marquez, […]
[…]– “insight’ or “intuition” – that has instantaneous and direct access to the Truth…. [w]e may well speculate that it is our belief in the real-life moment that is largely derived from the widespread practice of using visionary moments in fiction. (24) It is important to note that Maltby is not saying that the literary visionary moment is rhetorical, a claim that would make sense even by New Critical standards of analysis. He is saying that the real-life visionary moment is. The famous example of Allen Ginsberg’s “revelation” of cosmic oneness to which Maltby refers in this section in fact […]
[…]but we see no blood, no waxy face; readers are not witness to the actual corpse). I would like to examine the body, verify the autopsy report. Montfort, using Aarseth’s terminology, has chosen to construct a hierarchy that allows Hypertext to be a subcategory of Cybertext. In outline form, that would suggest that Cybertext is the Topic I. and Hypertext, and the other cybertext machines, are the subtopics – something like this: Electronic Literature I. Cybertext A. Hypertext B. Games C. Programmed Puzzles D. Artiticial Intelligence Constructs Montfort celebrates, as we all would, the inclusion of more programmatically complex forms […]
[…]industry, public relations and propaganda, the non-specialized public has hardly disappeared… [T]here is in all democratic countries an important sphere in which politicians, intellectuals and others continue to discuss and debate politics on a high level and not without political effect. This amounts to splitting the difference between Luhmann’s view and what I take to be Bérubé’s, at which point, as I’ve already indicated, one would want to argue about just how “high” that level is and dwell for a moment upon the tellingly-hedged “not without political effect” pointed to by Arato. In the end, then, some of my differences […]
[…]only about 2 or 3 percent of those 576 non-hypothetical possibilities Aarseth’s theory is able to foreground. Aarseth’s typology contains 576 different media positions for texts depending on the combination of their values in those seven parameters (dynamics, determinability, transience, perspective, links, access, and user function). Needless to say this same inclusiveness of cybertext theory makes it useful also in defending its objects of study from various colonising enterprises from traditional literary institutions, whenever they’d become desperate enough to try. Cybertext theory can justify the study of digital and electronic textualities in their own terms, instead of submitting or committing […]
[…]goes on to enumerate further examples of the repackaging of this Disney film, and concludes that ì[t]oday as never before in human history the child lives in an entertainment environment, among myriad spinoffs and products and commercial referencesî (29-30). It is easy to conclude that Birkerts is clinging to a sentimentalized idea of reading, and perhaps tempting to offer up some other form of textuality as an alternative. This is precisely what critics do when they celebrate electronic writing as a more challenging form of reader participation in the text. For a good overview of the problems of this equation […]
[…]tradition of Dreiser and Jack London, Messenger finds that Puzo shares an “extreme attraction to and repulsion from art and success [which are] in themselves melodramatic (182), and then applies Richard Chase on melodrama. Messenger succeeds, in the end, in making a legitimate enterprise of his meditation on The Godfather phenomenon. But still, the hand shakes. Citing Peter Rabinowitz on reading, Messenger admits that intensive critical scrutiny of The Godfather “fractures my reading responses into conflicting feelings and several judgments” but nonetheless, he “believes the comprehension of The Godfather is a very complex matter, which reaches deep into the history […]
[…]form of the earlier version of the electronic book review, we present Parker’s essay as a free-standing project, available here. Rettberg’s and Kirschenbaum’s entries can be read in their original formats as ebr riPOSTes or they can be accessed in the current interface. All are included under the blue thREAD, […]