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[…]were writing. As the deadline approached, however, and our file organizers automatically adjusted to accomodate our first double-digit issue, we became conscious of another constraint that has silently shaped the ongoing development of the journal. Because this constraint has been, until now, accepted in silence (in fact, it is an unconsidered paradigm inherited from print media), its power over the journal design and construction has been more pervasive than any constraint – however rigid and arbitrary – that we might conceive and follow voluntarily. Hence, this seems like a good moment to reconsider the long network of single themed issues […]
[…]essence, in turn, gets spirited away into marketing. My friend Tim Anderson told me about his latest sojourn in Regensburg: Kneitinger, the local brewery, has been around since 1530 and what do people drink there? Budweiser! They are shipping watery beer over watery salt to Germany! Did you know that there are 684 small independent breweries in Bavaria alone, as the Verband mittelständischer Privatbrauereien (Muenchen) informs me? 684! And Budweiser from the U.S. has of course nothing to do with Budweiser from Budvar in what is today called the Czech Republic. In the mid-1500s, Czech King Ferdinand I… JB: Excuse […]
[…]treated as a textured field, hypertext reading becomes a gathering together of diverse thREADs – [formerly]identified in the column of special issues on the general contents page – into a self-organizing system of visual, verbal, and, eventually, sonic elements. (A music special scheduled for the Summer of 2000 will introduce sound into the overall ebr design. [“Music/Sound/Noise” eventuated in the Fall of 2001. – ed.]) To facilitate such reading, with this issue we introduce an icon designed by Anne Burdick that will link new essays back to earlier issues. By viewing the colored thREAD embedded at the end of this […]
[…]a parallel as can be made between these two titans of entertainment and enlightenment. And it’s comforting to know that as the years roll by there are always new discoveries to be made, quite often just laying right in the open, waiting to be pointed […]
[…]through spatial form as rhetoric, where image is integral to literature’s poetics, and integral, too, to the experience of “reading.” The pervasiveness of this turn toward the image is indicated by the range of contributors who came forward: poets, fiction writers, book artists, literary critics, graphic designers, visual artists, and authors/artists whose work cuts across genres and media. Proposals were received from England, Germany, Canada, South Africa, Australia, Finland, and Norway, as well as many parts of the U.S. – an indication at the organizational level of the textual linkage taken up by several contributors. And at the structural level: […]
[…]limited to subject matter and which neglects the use of a style (in Duchamp’s case a non-style) to comment on the subject. Thierry de Duve’s remarkable anthology (originally conference proceedings) is rich with essays like Nesbit’s that portend several highly creative, possible approaches to Duchamp. This book is probably the most fun to read and discuss as it also contains often humourous discussion of each chapter by the authors present at the original conference. The Definitely Unfinished Marcel Duchamp includes essays on four-dimensional mathematics (Francis Naumann), the issues of sexuality and representation (André Gervais) and a summary version of William […]
[…]post-pubescent lives in the wake of AIDS; not the disease so much as the official ideology which [mis]represents and mediates the disease. Unlike other countries, which reacted to AIDS by isolating the known transmission vectors and encouraging “safe” sex, the US officially condemned the entire sensual body. No instrumental distinction was made between anal and vaginal copulation, between oral and manual stimulation, between kissing the mouth and licking the genitals, between wearing a condom and not. The rallying cry was: Abstinence! Referring to Van Gogh’s severing of his own ear to impress a “subaltern” woman, Georges Bataille argues that the […]
[…]Even those contributors heralding the “new” of computer/electronic poetry recognize that proto-computer poetry has already been with us; computational language machines have been in poetry since the throws of Mallarmé’s dice, chance his computer. Ezra Pound’s (and other’s) dictum “make it new” is a self-perpetuating charge not unlike a virus, and it might be argued that the “new” has a newly accelerated half-life. But is poetic history producing as many new models as the (European/North and South American) culture it responds to, or chooses to ignore? This issue presents essays on subjects as diverse as Oulipan translation poetics to the […]
[…]system. Laramée gestures towards the difference between our “toy” and those she displays. For example, she exposes 20th century technology normally hidden (the French verb for exhibiting artwork is exposer). One finds vitrines and wall mountings displaying these objects: the wiring for a whirlwind computer (circa 1950), a TX-2 magnetic core memory stack (also circa 1950), a detail of a 1972 computer chip. The viewer enters the exhibition in order to unfold its visual clues. Without wall text or directional symbols, one may enter or unfold the work permutationally. This non-linear presentation recalls hypertext fiction, with its clickable paths rather […]
[…]the always-already socially and ideologically inflected nature of language: “[T]he word in language is half someone else’s. It becomes ‘one’s own’ only when the speaker populates it with his own intention” (Dialogic Imagination 293). Douglas calls upon an impressive array of language theorists to problematize the notion of “populating” language (here, the discourse of the American dream) with an individual’s own “intention.” Douglas ultimately returns to Sacvan Bercovitch’s work to theorize the impossibility of this venture. Bercovitch identifies in American culture “an omnivorous oppositionalism that ingest[s] all competing modes of radicalism,” an oppositionalism that displaces “radical alternatives” to current structures […]