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[…]he notes with reference to film noir conventions when, early on, he obsessively follows the latest personification of his feminine ideal, Wanda Krankl (16). Thankfully, David Boring ultimately is not an attempt to reproduce a cinematic experience in comics form. Such an exercise would inevitably prove futile, just as those comic-book films that wear their source material formally on their sleeves never adequately reproduce a so-called “comic book feel”; the differences of media and the problems of adaptation mitigate against such easy overlapping of narrative forms. And Clowes is too canny, too accomplished a cartoonist to make such a mistake. […]
[…]used to contain data, and explores the texture and topography of a hypertext poetics. [1] You Are Here “You are here,” a little blinking light keeps telling me, until, after a lag, a delay, I locate myself – or think I do – in data/space. Am I climbing inside the transparent woman? Am I looking at a subway map on a kiosk? Perhaps manipulating topological constructions in a math department – or unraveling the crochet of categorizations used to contain library data. In fact, only some of these spaces are now available with helpful blinking lights. Much less are they […]
[…]a cracked soil plate on which idiots slaughtered each other for thousands of years over the right to freely and sovereignly bury each other in it. Apart from the young people who joined the combat out of boredom, their violent nature, or fright, described in Esmarh, and the ones who stayed, depicted in In the Hold, there is also a third group of young intellectuals, frequently mentioned in both works. Between 1990 and 1997, an estimated 400,000 students and recent college graduates left Serbia. The agony and pain demonstrated at the Winter 96/97 student protests faded again into a bleak […]
[…]if everything is told and explained verbally anyway? Many efforts have been made to introduce to comics a “meta-representative” or self-reflexive mode or dimension (see Conséquences 1991:13/14, entirely dedicated to this matter), where the reading of the image as well as the text helps the reader to discover the possibilities and strategies of comic storytelling and comics language – the two are not at all the same, as Eisner and McCloud seem implicitly to believe. The case becomes all the more problematic because McCloud shrinks his corpus even more ruthlessly in Reinventing Comics. His thesis that comics are basically sequences […]
[…]PRINT! As a bilingual writer perhaps my epitaph should be in the two languages that have struggled to come out of me the day I opened my mouth. In French it would be épuisé! How perfect. When a book goes out of print in France they say it’s épuisé!. Exhausted! My epitaph then — OUT OF PRINT / épuisé! Interviewer – What is the biggest lie that is perpetrated on us? Interviewee – The biggest lie! Well of course, the universe. The ex istence of the universe. How do you know when you look at the sky at night and […]
[…]theory.1 A number of counter-traditions in theology and ethics have begun to emerge, attempts to formulate a new, postmodern metaphysics/ethics that adequately addresses the conflicting needs to find meaning of life without returning to an untheorized pre-modern religiosity or the sterile logic of a thoroughly disciplinized analytic philosophy. At least four major strains of postmodern metaphysical speculation are currently generating heated discussion: the thought of Emmanuel Levinas that includes Jacques Derrida and Gianni Vattimo; the Radical Orthodoxy movement led by John Milbank, Catherine Pickstock, and Graham Ward; Mark C. Taylor’s postmodern anti-theology; and “constructive postmodernism” championed by David Ray Griffin, John […]
[…]after the emergence of media rationality in our culture ñ people have become obsolete with regard to communications theory. (109-110) Such a conclusion will seem extreme unless viewed at the most abstract, systemic level. As a history of the postal system, we might have expected Relays to follow the late work of Foucault or that of de Certeau and others who write about everyday “practice” ñ what are people doing with the postal system? We might think, for example, of the unpredictable forms that “email practice” has taken in the last decade ñ from advocacy and erotics to insurgency and […]
[…]representation of a different reality” (xxiii) is not fully explored. This unwillingness to completely engage with non-representational artforms may be attributable to his intellectual debt to cinema. Manovich proclaims that the recent “revolution” in media production concerns the translation of all existing media into numerical data accessible through computers (20). In my opinion, Manovich has rightly discerned the “most fundamental quality of new media that has no historical precedent – programmability” (47). He introduces the concept of transcoding. The computer has become “a media synthesizer and manipulator” (26) and as such, new media is the result of a blend of […]
[…]bought for him the best steel teeth ever; their clang always makes me shudder), suggested an old and tested solution: putting all the authority in one’s hands. I stand at a turning point. While I was sipping my favourite bourbon this morning, behind a shelf in the huge office in my Eastern residence a curtain accidentally fell off and I saw something I could not at first recognize. Its lower half was made up of all human parts – feet, knees, and thighs. The upper part of it was a cluster of cords. Instead of a head, this thing had […]
[…]been conceived ‘in advanced capitalist culture.’ Bulgakov’s fame and destiny were as dark and torturous as many of his fellow authors’. A chain of banned works and fluctuations of despair and amputated success, both in theatre and the publishing world, had taken its course. The KGB possessed his early diaries; his manuscripts were accepted but never published in his lifetime; theatres stopped his plays often in the middle of rehearsals. Five years before his death, his only reliable audience was his wife, Yelena Sergeyevna, and his closest friends. Now, how do Russia and the other countries of the former Eastern […]