Søren Bro Pold
Søren Bro Pold (Digital Aesthetic Research Center, Aarhus University) has published on digital and media aesthetics – from the 19th century panorama to the interface in its different forms, e.g., electronic literature, net art, software art, platforms, AI, and digital culture. His main research field is interface criticism which discusses the role and the development of the interface for art, literature, aesthetics, culture and IT. He has also taken part in collaborative artistic research with e.g., The Poetry Machine and the Covid E-lit projects. He co-chaired the ELO 2021 conference.
Posts
02-Jul-2023
From Datarama to Dadarama: What Electronic Literature Can Teach Us on a Virtual Conference’s Rendering of Perspective.
by
by Christian Ulrik Andersen, Malthe Stavning Erslev, Pablo Velasco, Søren Bro Pold

05-Jun-2022
All of the spaces collapsing: an interview with xtine burrough
by
by Anna Nacher, Scott Rettberg, Søren Bro Pold, xtine burrough

07-Nov-2021
Platform In[ter]ventions: an Interview with Ben Grosser
by
by Anna Nacher, Scott Rettberg, Søren Bro Pold

06-Jun-2021
COVID E-LIT: Digital Art from the Pandemic curatorial statement
by
by Anna Nacher, Scott Rettberg, Søren Bro Pold

06-Dec-2020
Critical Attention and Figures of Control: On Reading Networked, Software-based Social Systems with a Protective Eye
by
by Søren Bro Pold

03-May-2020

07-Apr-2019
Our Struggle: Reading Karl Ove Knausgård's Min Kamp
by
by Chris Ingraham, Joseph Tabbi, Kjersti Aarstein, Nathan Jones, Scott Rettberg, Søren Bro Pold

02-Dec-2018
Always Inside, Always Enfolded into the Metainterface: A Roundtable Discussion
by
by Christian Ulrik Andersen, Elisabeth Nesheim, Lisa Swanstrom, Scott Rettberg, Søren Bro Pold
