Bethany Nowviskie of the University of Virginia introduces the COLLEX tool, a "COLL-ection" and "EX-hibition" of online images and interlinked texts. Nowviskie's white paper is the first essay to be "wrapped" into the ebr interface. That is, the essay has itelf been collected, tagged, and interlinked with the essays in ebr. This way, the essay is not just about the development of a semantic network - it is part of one.

As I thread my way through ebr, I touch base with the artificial intelligentsia that my work circulates in. The artificial intelligentsia is an internetworked intelligence that consists of all the linked data being distributed in cyberspace at any given time, one that is powered by artistic- intellectual agents remixing the flow of contemporary thought.

Kiki Benzon and Mark Z. Danielewski discuss his 2006 book Only Revolutions at the International Festival of Authors in Toronto.

There has never been a 'Best of the electronic book review' or a print collection. After ten full years of online publication, ebr has devised other ways of marking time, using techniques available in the same electronic media where the work first appeared. Here the editor presents an initial 'Gathering' of ebr essays, pulled from each of the journal's threads to date.

Jerome McGann addresses the so-called "Crisis in the Humanities" in the context of two of its most apparent symptoms: the digital transformation of our museums and archives, and the explicitly parallel "Crisis in Tenure and Publishing" that has more recently come to attention.

Trace Reddell introduces Sonic Contents.

Erik Davis listens to Lee Perry's work.

tobias c. van Veen reviews Paul D. Miller a.k.a. Dj Spooky that Subliminal Kid's MIT publication, Rhythm Science.

David Rothenberg writes of the affective and effective power of reverb.

Erik Davis discusses the relationship between electronic sound and environment.

James Riley on Jack Kerouac.

From event to non-event. Frank Seeburger deconstructs 9/11.

Marcus Boon explores the healing of traditional music.

Entering the 'cyberdebates' initiated by Nick Montfort, John Cayley, and Rita Raley, new media scholar Mark Marino proposes that we should analyze and explicate code as a text like any other, 'a sign system with its own rhetoric' and cultural embeddedness.

Andrew McMurry looks back on ten years of ecocriticism and identifies a "new physiocracy," whose exclusive interest in technology is no better than the exclusive valuation of property that typified physiocrats of the Nineteenth-Century.

Bruce Clarke reviews Stephan Harding's Animate Earth and James Lovelock's recent book on Gaia, the mother of all systems.

Linda Brigham reviews Katherine Hayles' My Mother was a Computer: Digital Subjects and Literary Texts.

Reviewing Andrew McMurry's Environmental Renaissance, Stephen Dougherty questions the systems approach to ecocriticism.

Joseph Tabbi introduces the thread and gathers prior essays by fiction writers on fiction writing.

Andrew McMurry introduces Katherine Acheson's review of Radiant Textuality, declaring that Acheson's illuminated critique exemplifies what's missing in McGann: the use of design not just to illustrate prose but also to extend a textual engagement.