Lisa Joyce critiques the rash of historical fiction by women, circa 1996.

Cris Mazza sends in her introduction to the follow-up volume of Chick-Lit, No Victims.

Linda Brigham reviews the Spring and Fall 1995 issues of Cultural Critique.

Todd E. Napolitano on the kitsch of on-line journals, most of which have flashed and disappeared since they were panned here, in the Fall 1996 ebr.

Elisabeth Sheffield on the implications of the anthology that helped to put the term "postfeminsim" into circulation.

Joe Amato on the Social Text controversy.

Christopher Knight on Stanley Fish's Professional Correctness.

Greg Dyer steals glances at women('s) writing on the World Wide Web.

Lidia Yukman describes the experience of teaching people of differing backgrounds.

George Landow reviews Patchwork Girl by Shelley Jackson.

Elisabeth Joyce reads Howe as a postfeminist Thoreau facing the dilemma that 'to inhabit a wilderness is to destroy it.'

Diane Goodman on the anthology that helped put the term "postfeminism" into circulation.

The postfeminist issue of ebr was the first to use visual art as a means of navigation as well as illustration.

Michael Bérubé responds to the respondents in Selling Out (Spring 1996).

Ronald Sukenick turns hypercapitalism inside out, and finds no place to hide.

Should the Left pool its resources and buy CBS? Robert Markley offers strategies for avoiding Patrick Buchanan's jihad.

Cary Wolfe lays bare the assumptions that define Bérubé's stance.

Mark Amerika goes public, and reveals speculative fiction and market speculations to be one and the same.

Marjorie Perloff on the surprising viability of art and poetry - everywhere but in universities.

Former FC2 Co-publisher Curtis White defends radical fiction against Left radical intellectuals.