Stuart Moulthrop re-opens the debate on the "electronic book" and its continued marginalization vis-a vis print.

Despite talk of endings and absences at Eastgate Systems, Dave Ciccoricco investigates continuities in the work of Michael Joyce and Mark Bernstein.

Rone Shavers argues that making readers aware of subjugation - the strategy of Harold Jaffe's False Positive - exposes little and hardly changes our relation to power.

A review of Writing Machines, building on a number of the book's earlier reviewers in ebr and elsewhere.

Jim Rosenberg sends a shot of grammar straight across the bow of Nick Montfort's controversial Cybertext review, adding volume to a volley already in progress.

Scott Rettberg introduces 'New Media Studies': a cluster of reviews, and a term (similar in its emergence to the term 'Postmodernism').

A book about books conscious of their materiality, N. Katherine Hayles' Writing Machines draws praise from Raine Koskimaa for its own media consciousness, and blame for embodied emphasis.

Over 800 pages, the New Media Reader does not exhaust its subject; it even sets the stage for a companion volume.

Form and platform are bridged in Stephanie Strickland's "V: WaveSon.nets/Losing L'una," a book with two beginings and a website to boot. Chris Funkhouser tests the load limit of this innovative, precarious structure.

Rob Wittig looks at one of the earliest "Weblogs," and finds there a persisting model for serial e-fiction and an interaction no less compelling than the literary correspondence between Henry Miller and Anais Nin.

Scott Rettberg appreciates Weinberg's small pieces more than his 'unified theory,' while viewing the Internet not as an economic panacea but a communication medium woven into the fabric of contemporary culture.

Komninos Zervos reviews the Hayles/Burdick collaboration, Writing Machines (2003), and reengages the cyberdebates (initiated in Y2K).

New media in a book, metafiction in hypertext: the printed book, as yet, is the more hospitable medium. (The New Media Reader; Figurski at Findhorn on Acid.)

An argument against the collapse of categories by an author who has, yes, himself perpetrated a few codeworks.

A generous selection, with commentary and biographical background, for those coming newly to Matthias's work.

Rita Raley on the varieties of code/text, as discovered in the object-oriented aesthetic of Mez, Ted Warnell, Talan Memmott, Alan Sondheim, and others.

Virginia Kuhn reviews an essay collection - Cybertext: Yearbook 2000 - ambivalent about its own printed status.

Brandon Barr considers Loss Glazier's attempt at a hypertext poetics that moves beyond the link.

Adrien Gargett on Pierre Missac's unification of empirical biography and textual production, and the development of a "criticism of indirection" too often missing from Benjamin studies.

Entering the cyberdebates, Scott Rettberg moves beyond technique and proposes a more generative approach to hypertext, in which an author's intention and poetic purpose have a role.