Tom LeClair surveys six gargantuan texts—both hyper- and print—and finds that size is not all that matters.

Martha Henn reviews Technologies of the Gendered Body: Reading Cyborg Women by Anne Balsamo

August Tarrier reviews the 1994 film, Bad Girls.

Dodie Bellamy gets to the "dirty parts" of contemporary fiction.

Martin Rosenberg discusses Kiki Smith's feminist visual art and cognitive science.

Having women in power won't automatically make for caring, sensitive environmental policies as Stacy Alaimo implies in her review of Carolyn Merchant and Val Plumwood.

Lisa Joyce critiques the rash of historical fiction by women, circa 1996.

Cris Mazza sends in her introduction to the follow-up volume of Chick-Lit, No Victims.

Todd E. Napolitano on the kitsch of on-line journals, most of which have flashed and disappeared since they were panned here, in the Fall 1996 ebr.

Elisabeth Sheffield on the implications of the anthology that helped to put the term "postfeminsim" into circulation.

Greg Dyer steals glances at women('s) writing on the World Wide Web.

George Landow reviews Patchwork Girl by Shelley Jackson.

Lidia Yukman describes the experience of teaching people of differing backgrounds.

Elisabeth Joyce reads Howe as a postfeminist Thoreau facing the dilemma that 'to inhabit a wilderness is to destroy it.'

Diane Goodman on the anthology that helped put the term "postfeminism" into circulation.

The postfeminist issue of ebr was the first to use visual art as a means of navigation as well as illustration.