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[…]Then the hero has been seen to have achieved the integration of separate parts of self into complex interdependencies. In such a well-rounded story of a character who is being rounded out, actions sprawl and curve away from each other, but then the lines of action are seen to bear upon each other in a reconciliation or resolution of apparent discontinuities and differences. The end of such an action is likely to return one to the beginning of the action, as the conclusion is seen to have been potentially or embryonically there from the start. In such an organic structure, […]
[…]for radio to be no longer “a mere sharing out,” but rather “a vast network of pipes […] to let the listener speak as well as hear” (15). For Brecht, radio carries a pedagogical promise that would overcome the inscription and surveillance of the broadcast and the program. Where is this promise heard? In an implicit theory of communication against an undifferentiated background of noise. This is not (yet) noise in the information theory sense of lost information, but rather a remainder of a pre-semiotic theory, a material kernel left only to music. Such a hardware noise can for this […]
[…]image-based. From comic books to fashion magazines, Bolter had a plethora of sources with which to compare hypertext’s integration of the visual and the structural. But his lack of breadth limits his thinking, in spite of statements that show promise. “The free combination of words, numbers, and images that is characteristic of the electronic writing space did not begin with the computer; it has been a feature of the best graphics of the last two centuries” (78). Bolter’s lack of convincing examples is most damaging to his assessment of hypertext’s visual dimension. Using the history of pictographic writing as an […]
[…]and Culture at the Georgia Institute of Technology, takes a feminist and cultural studies approach to questions of how technology (defined broadly as devices, processes, procedures, etc.) has formed, informed, and reformed conceptions of the female gender. >– link to the 1996 (post)feminism essays In addition to examining reproductive technology, Balsamo looks at various fictional, filmic, and virtual techno-women. She also examines women’s relationships to other medical technologies (such as cosmetic surgery) and electronic technologies (the computer, of course) for evidence of how new technologies signify culturally vis-a-vis women. Not surprisingly, Balsamo concludes that, while technologies seem to offer opportunities […]
[…]strains of science and technology studies have shown us that universalizing theories can slip into totalitarian imperatives, or falsely generalize by excluding oppressed groups, or abstract away from the very practices that make meaningful experience possible. Bioregionalism and deep ecology champion the importance of local context in matters both political and epistemological. But what if the Logical Positivists weren’t that bad? What if they were onto something–something worth keeping hold of? And what are the dangers of the contextual and the local? The Logical Positivists have received a very bad reputation among some environmentalists and other progressives as defenders of […]
[…]trained in newly formed media studies departments? In a slightly different context, Coyne writes: [I]n spite of the deeper understanding promoted by Heidegger that to think is to contemplate things without asking why, without looking for causes, and that we are not in control of technology, the rhetoric of our disciplines indicates an unashamed concern with intervention. It may be a delusion, but the rhetoric of the professional, the technician, the educator, and the politician is to intervene. The importance of Heidegger’s inquiry may be to reinstate thinking, but there are still those caught up in the practice of “philosophy,” […]
[…]terms: according to him, his son has become the dog’s “shandy,” the dog’s “bitch.” “[T]his creature is all over your son,” says the father, employing a distancing second person address, “who is too scared, too secretly pleased, to assert his evolutionary supremacy and beat back the amorous advance, until his shoulders are calloused from the paws of a dog and he practically wears an apron for the animal, so total is his submission” (17). In the next section, “Shushing the Father,” Pal again appears, this time from the perspective of Ben telling a tender, moving story of his association with […]
[…]to the sort of cooperation, interest, and patience that keeps the user engaged. Espen Aarseth’s latest work concerns itself with computer gaming and his essay “Allegories of Space: The Question of Spatiality in Computer Games” provides a glimpse of this work. Likewise Gonzalo Frasca offers a provocative interrogation of the taboos that govern subject matter for computer games. And though gaming is not a subject commonly found, it is certainly not unique to the work of Aarsethians; both Steven Johnson (Interface Culture, 1997) and Janet Murray (Hamlet on the Holodeck, 1997) complicate user positions in games, though certainly not in […]
[…]plugged-in-cybernaut, the cyborg has the power, Greco claims, to destabilize accepted boundaries and open spaces for liberatory action. The cyborg conflates, confuses, and reassembles technology and social reality. Technology provides the tools for interactions with others, and from this interaction, cyborgs (like us) construct narrative histories of selfhood that acknowledge limits of self and other, limits thrown into relief by the very visceral awareness that this technology interpenetrates the body. But what (or who), exactly, is a cyborg? Are we talking about people who have had literal technological interventions on their bodies, such as my friend and colleague Vivian Sobchack, […]
[…]to make sense of postmodern fiction’s much-discussed interest in history, we must turn back to and examine anew history’s uses in early nineteenth century historical fiction. Elias contends that, while Scott was able to incorporate elements of romance in his historical novels, these elements of fabulation were typically subsumed under the realist, empirical, Enlightenment historiography that Scott was influenced by (and which he appeared to influence as well). In contrast, postmodern attention to history – here termed “metahistory,” which is “the ability to theorize and ironically desire history rather than access it through discovery and reconstruction” (xvii) – is characterized […]