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[…]“Citation Mill,” I would hate to see CWP students spend all their time reading the latest theory books rather than knowing something about Baudelaire or Césaire, Blake and Herbert, Khlebnikov and Mayakovsky. The problem of the CWP, it seems to me, is less its ignorance of theory as such, than its still-frequent know-nothingness about the literature of the past or of other cultures. And since most of that literature is not in English, much more emphasis should be put on the acquisition of other languages — something Amato and Fleisher don’t talk about. The ignorance of “foreign” literatures is thus […]
[…]Why, I mean to ask, would we imagine that each of these classrooms might benefit from being [un][re]structured the same way?) What sorts of exercises can we develop in the classroom (based, yes, to be sure, around the notion of process rather than product, experiment rather than certainty & conclusion, as if rather than is) to help us think beyond conventional notions of characterization, gender, plot, social context, setting, race, time, selfhood, point of view, medium, genre, etc.–even what we mean when we say “creative writing”? While at the same moment taking each work presented in that classroom good-spiritedly on […]
[…]for a human. And the saddest thing is that if you wanted to become human again, fuck [your fiancé] for example, inhabit your own body, you wouldn’t know how. You forgot to leave breadcrumbs” (136). Desire vanishes into its objectification. Ironic distance has become absolute. There is an important sense in which both White’s and Shakar’s novels are narratively unsatisfying. That is, both leave us desiring something not provided by narrating, and both are at their most original in representing this. In The Savage Girl, what’s desired is what Chas defines as “postirony,” a condition in which culture begins “to […]
[…]and Kosovo wars and a precursor to 9/11 (42). Also, Virilio hints that anthrax outbreaks are the latest phase of a technological genealogy that includes BSE and foot-and-mouth disease. More generally, he stresses that the transitions from total war to cold war to terrorism must be understood in terms of the evolution of a logic of the advancement of military technology. Virilio observes that the terrorist attacks manifest the loss of proximity that is the primary characteristic of uchronic culture: both the image and the attack can strike from anywhere at any time. Virilio’s ideas indicate that he, like Baudrillard, […]
[…]fact that for millions of people around the world the towers have significance only as a mechanism for and thus a trope of free trade and international capitalism. It is possible that both these interpretations of the meaning of the building are valid, but Wilson seems to suggest that only his reading of the towers has such validity. Given Wilson’s celebration of the multiple possibilities evoked by the architectural style of the buildings, such a singular perspective might seem perplexing. But Wilson’s point is that the multiple possibilities of the WTC are definitively inscribed in its architectural features. In making […]
[…]Perspectives on Ergodic Literature (Johns Hopkins UP, 1997) will be a useful reference for years to come because it provides us with a shared language to talk about the computational particularities of different types of electronic texts. Nick Montfort’s informative review of Aarseth, which provoked reasoned responses by Hayles, Luesebrink, and Rosenberg, suffered from its Oedipal impulse to declare hypertext dead as a result of cybertext’s ascendance. Cybertext provides a useful terminology for the technical description and categorization of particular types of literature. It does not constitute a scale of aesthetic value. Hayles effectively points out Montfort’s error of elision […]
[…]writing, there are few signs that the practitioners of New Media Studies will run out of new work to study any time soon. While the population of fiction writers yearning to get their first publication in The New Yorker still dwarfs the party of writers hoping to write the Great American Network Novel, and the group of artists hoping to see their ‘net art featured in the next Whitney Biennial is lilliputian in comparison to the number of painters desperate to get their first commissioned gallery show, the question of whether new media writing and Web art are fads is […]
[…]transformation of the academy (issue 1.2, December 1998), while Christian Gregory’s “The WTO and After” featured a variety of analyses of the anti-globalization movement (issue 3.1, May 2000). This is to say that the Web journal’s function never has been only to spread “content” or “counterinformation”; from the start, Workplace: A Journal for Academic Labor has been an organizing tool for graduate students, adjuncts, and tenure-track and tenured faculty already involved in or considering unionization, a site for debates over strategy and tactics within the academic labor movement and between it and other social movements, a lever for putting public […]
[…]hack The website material, in particular the extensive bibliography, is so significant that I had to download and print it. Indeed MIT Press designed it to be printed and inserted in the book. This doesn’t work, because the codex book is not designed for extra material to be slotted in. The alternative is to simultaneously read in two different media, which is not enjoyable. Although Zervos is rather harsh on which is an undeniably interesting experiment in distributed textuality, reading becomes unduly complex, and the reader is confronted by material difference to such an extent that it may indeed work […]
[…]of Nova criminal Mr. Martin: “There are no friends. There are allies. There are accomplices” [39]), to the later pieces collected in the sections “Lawrence, Kansas (1982-97),” “Shooting Gallery (1986-1997),” and “Last Words.” These three final divisions of Burroughs Live offer both the author and his interviewers myriad opportunities to consider Burroughs’ five decades of public life as a career. T.X. Erbe, for instance, in a 1984 interview, offers: “There’s a cult of Burroughs. I think it has nothing to do with your work” (598). Regina Weinreich sets him up as a prophet. Asking him if he foresaw AIDS, Burroughs […]