Search results for "display/tomasula"

Results 81 - 100 of 240 Page 5 of 12
Sorted by: Relevance | Sort by: Date Results per-page: 10 | 20 | 50 | All

Approaches to Interactive Text and Recombinant Poetics (sidebar)

Sidebar images from “Approaches to Interactive Text and Recombinant Poetics – Media-Element Field Explorations.” 19.sidebar.4-8. Examples of The World Generator in use. 19.sidebar.9. Control panel display for The World Generator. back to Approaches to Interactive Text and Recombinant […]
Read more » Approaches to Interactive Text and Recombinant Poetics (sidebar)

What Does a Very Large-Scale Conversation Look Like?

Introduction The new electronic spaces that I am interested in have the following characteristics in common: They are large. Many sites now support interchanges between hundreds and thousands of people. Usenet newsgroups and large listservs are the most common of such sites. I call these usually text-based, usually asynchronous interchanges, very large-scale conversations. (Sack 2000c) They are network-based. More specifically, they support network-based communities. The boundaries of these spaces and the communites they support are not geographic boundaries. Communities of artists, writers, and scientists are examples of pre-internet, network-based communities; i.e., communities based upon a social network and some shared […]
Read more » What Does a Very Large-Scale Conversation Look Like?

Stephanie Strickland’s response

There is an uncalculated cost to abstracting information patterns from a body, and then again to forming a “data body” from patterns: an energetic cost, a time cost, and a loss that comes from viewing bodies as mere vehicles for pattern, whether that pattern be mathematical, statistical or structural. Vesna addresses these issues in n0time, as she did previously in Datamining Bodies. Her solution is to visualize social networks using tetrahedra and tensegrity (Kenneth Snelson, Buckminster Fuller) principles. In other words, a figure that has shown itself to be highly useful at many scales for gravitational architectures—of all polyhedra, the […]

If Things Can Talk, What Do They Say? If We Can Talk to Things, What Do We Say?

Introduction (The Gossip on Voice Chips) This essay develops a frequently asked question (FAQ) list for Voice Chips. Like the questions in most FAQs, these questions are not actually frequently asked, but they might be, and like every FAQ, the attempt is to structure the accumulation of experiences in a sociotechnical project. Voice Chips and their newer partners, speech recognition chips, are small low power silicon chips that synthesize voice, play prerecorded voice messages, or recognize voice commands. Although this functionality is not new, what makes voice chips unique is that they are small and cheap enough to be deployed […]
Read more » If Things Can Talk, What Do They Say? If We Can Talk to Things, What Do We Say?

Simon Penny’s response

Simon Penny adds object-context to the talking machines of Natalie Jeremijenko’s essay. Talking greeting cards, talking ashtrays, talking toilet roll holders: these are some of the more alarming products of the information economy, more alarming for their utter triviality and transience. Natalie Jeremijenko’s analysis of voice chip products (and secondarily, of voice recognition products) attempts a sociology of machines integrated into the human social circuit. This integration occurs on the basis that the machines engage, in some sense, in speech and speech acts. As she points out, this speech, lacking any but the most rudimentary sentience, confounds theories of speech […]

Metaphoric Networks in Lexia to Perplexia

Reading subjectivity into the software interface, N. Katherine Hayles offers a compelling case for computational authorship. As leading theorists and practitioners Marvin Minsky (1985), Daniel Hillis (1999), and Brian Cantwell Smith (1998) have been telling us, computers are much more than hardware and software. In their most general form, computers are environments of varying scope, from objects that sit on desktops to networks spanning the globe. Indeed, in Edward Fredkin’s (1990) interpretation, computational processes ultimately generate the fabric of the universe. It comes as no surprise, then, to find researchers arguing that computation is fundamentally altering the ways in which […]

Liberation Hurts: An Interview with Slavoj Žižek

The following interview with Slavoj Žižek took place on the morning of September 29, 2003 in the Palmer House Hilton, a Gilded Age-era hotel in downtown Chicago. In the hotel’s opulent lobby, it was easy to spot the bearded Žižek amongst the nattily dressed businesspeople and well-healed tourists. As befits a self-described “old-fashioned left winger,” See Geert Lovink, “Civil Society, Fanaticism, and Digital Reality: An Interview with Slavoj Žižek” in Uncanny Networks (Cambridge: MIT Press, 2002) p. 39. Žižek seemed dressed down for our meeting. Yet when he lectured at the University of Chicago’s Oriental Institute later that night, Žižek […]
Read more » Liberation Hurts: An Interview with Slavoj Žižek

Weight Inward into Lightness: A Reading of Canoe Repair

“Canoe Repair” takes place at a transitional time for the main character. Zanes moves from New York City to a New Hampshire town and has to adapt to a new life and a new job, running a Laundromat, as well as to his son’s new hang-gliding activity and his wife’s new TV job. Thus, “Canoe Repair” occurs at a moment when rural and urban worlds are put in “connection and disconnection at the same time” (“Midcourse Corrections” 50). While we learn more about Zanes’ occupations, we also read a portrait of the town’s life. We discover a picture of America […]
Read more » Weight Inward into Lightness: A Reading of Canoe Repair

Above Us Only Sky: On Camus, U2, Lennon, Rock, and Rilke

And I felt ready to live it all again too; for the first time , in that night alive with stars and signs, I opened myself to the gentle indifference of the world. Finding it so much like myself – so like a brother, really – I felt that I was happy again. -Albert Camus The Stranger My father is a rich man He wears a rich man’s cloak Gave me the keys to his Kingdom (coming) Gave me a cup of gold He said “I have many mansions” And there are many rooms to see But I left by […]
Read more » Above Us Only Sky: On Camus, U2, Lennon, Rock, and Rilke

Privileging Language: The Text in Electronic Writing

The following essay began as a response to Chapter Six of First Person, The Pixel/The Line, which Noah Wardrip-Fruin invited me to contribute to electronic book review ’s version of that text. 1. There are several things I’d like to write in response to all three essays of The Pixel/The Line – by John Cayley, Camille Utterback, and Bill Seaman – but I’d like to lead into this response by quoting a passage from Seaman’s Interactive Text and Recombinant Poetics. My primary concern will be with the issue of text and meaning and the reduced terms with which these are […]
Read more » Privileging Language: The Text in Electronic Writing

Free Culture and Our Public Needs

Stanford law professor and first-tier cyberlaw theorist Lawrence Lessig has probably thought more about the relationship between copyright, the Internet, and technology than any other intellectual. In 1998 Lessig represented Web site operator Eric Eldred in the ground-breaking case Eldred v. Ashcroft, a challenge to the Sonny Bono Copyright Term Extension Act. Unfortunately, he lost the case. The reasons for the defeat are delineated in Lessig’s latest book Free Culture, a synthesis of recent popular thought on copyright. The central claim of Free Culture is that in the past decisions could have been made that would have both stunted (or […]

Riga Under Western Eyes

If you’re under the impression that Americans are wealthy, check out the capital city of Latvia. This essay was written for the launch of electronic text + textiles, a residency based in Riga, Latvia. The author gratefully adknowledges David Mace for supplying auto statistics, Linda Krumina for fashion tips, and Toms Rosenbaums for population statistics. A Latvian now working and studying in Argentina, Toms became a point on the data he researched. On a Sabbatical in the Spring of 2003, I was going by train along the North Sea coast and then by bus through the Baltics – from Hamburg […]

Notes from the Middleground: On Ben Marcus, Jonathan Franzen, and the Contemporary Fiction Combine

I. Rising action If Ben Marcus’ well-meaning defense of experimental/innovative/slipsteam/anti-didactic/non-simple/counter-discursive/et al. writing becomes the end-point for our post-millennial discussion of the William Gaddis’, the William Burroughs’, the Kathy Acker’s, not to mention the Kass Fleisher’s, the Lance Olsen’s, the Steve Tomasula’s, and the more than 100 other writers, artists and purveyors of pro-language, pro-innovation who participated in the second &NOW conference at Lake Forest College in early April 2006,The conference is reviewed by participant-observer Ted Pelton, publisher of Starcherone Books. then the terms of this debate may have inadvertently become as effective as a good ol’ red state/blue state hootenanny. […]
Read more » Notes from the Middleground: On Ben Marcus, Jonathan Franzen, and the Contemporary Fiction Combine

The Eternal Hourglass of Existence

Knowing no more about the book than its title, Nietzsche’s Kisses, this work of fiction triggered in me an association to a line that must have been in my unconsciousness for years, a remainder of a lasting, difficult relationship with the dead man who wrote it: “Der beste Autor wird der sein, welcher sich schämt, Schriftsteller zu werden.” The best author will be the one who is ashamed to become a writer. Professional writer, that is, and writer of fiction – the loose translation above misses the finer meanings of Schriftsteller, especially as they are opposed to the less technical […]

Critical Code Studies

“Hello World” is one of the first programs that computer scientists write in a programming language. The program, usually only a few lines of code, causes the computer to output a greeting, as if it were speaking. The Lisp (List Processing language) version of such a program, for example, looks like this: (DEFUN HELLO-WORLD () (PRINT (LIST ‘HELLO ‘WORLD))) DEFUN defines the function HELLO-WORLD (with no set arguments). The computer as a result will speak its greeting to the world in our natural language. What could be a more appropriate language for this activity than Lisp, a family of algebraic […]

The Way We Live Now, What is to be Done?

The sites referenced by McGann appear under the ebr ‘enfolded thread,’ which was established at the time this essay was published. This paper was presented at the University of Chicago on Friday, 23 April 2004. Late in the 19th century, Matthew Arnold looked to France as a model for a salutary “Influence of Academies” on culture in general. Twenty-five years ago Arnold’s academic inheritors appeared to be living the realization of his hope. But then came the crash. Humanities scholarship and education has been a holy mess for some time. Looking at the way we live now in the academy, […]

Seeing the novel in the 21st Century

Steve Tomasula’s latest book, The Book of Portraiture, published by FC2, continues his project, begun with VAS and IN & OZ, to reshape the novel to accommodate technology, artistic, social, and sexual history. The Book of Portraiture is a cunning reply to the historicity that demands a response. Using the formal innovations of postmodernism with a naturalistic treatment of historical conditions, Tomasula has composed a nearly comprehensive text that shows us the stakes of making art in the 21st Century. The novel is composed of five chapters that are as much thesis as plot, from the first, which narrates the […]

Geek Love Is All You Need

Steven Shaviro reviews Shelley Jackson’s Half Life, the first print-based novel by a pioneering hypertextualist. Shelley Jackson’s Half Life is a dazzling and amazing book – the first print novel by the author of the hypertext fictions Patchwork Girl and My Body, the short story collection The Melancholy of Anatomy, and the short story “Skin,” which is being tattooed one word at a time on the skin of volunteers. Half Life is ostensibly, or overtly, about a pair of conjoined twins, Nora and Blanche Olney, who have separate heads but share a single torso and set of limbs. “Twofers,” as […]

Plagiarism, Creativity, and the Communal Politics of Renewal

Collage and cutup are ways of interrupting the continuity of the controlling discourse – mosaic is a way of renewing discourse. Mosaic: new tiles, old fragments, odd scraps remix. Out of remnants new design. Continuous not discontinuous (Sukenick, “In My Own Recognizance”) I “The best way to consider originality,” Edward Said provocatively argues in The World, the Text, and the Critic is “to look not for first instances of a phenomenon, but rather to see duplication, parallelism, symmetry, parody, repetition, echoes of it… The writer thinks less of writing originally, and more of rewriting.” And he goes on to conclude: […]
Read more » Plagiarism, Creativity, and the Communal Politics of Renewal

Perloff on Pedagogical Process: Reading as Learning

I’ve been reading Marjorie Perloff’s criticism, and putting it to use in my own, for many years now. She remains one of the few critics not also a poet who demonstrates a consistent understanding of the new, innovative, avant-garde (or choose your term) poetries while working from a historically solid understanding of 20th century literature, indeed the whole modernist ‘heave’ as Pound might have put it. Differentials, her new collection of essays, adds some new names and works, returns to others, and, despite containing essays written for a wide variety of occasions, seeks to make some specific arguments concerning the […]
Read more » Perloff on Pedagogical Process: Reading as Learning